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RIOT ACT

From the Riot Act series , Vol. 1

This fast-paced dystopian thriller will get a standing ovation from theater kids and punk rockers alike.

Under the authoritarian government of an alternate 1991, Anti-American Thought is illegal.

Max is dead. Trapped inside the thoughts and memories of his friend Gigi, he’s not sure how to move on. Reeling from Max’s death, Gigi and Axl, the third member of their friend group in Champaign, Illinois, aren’t sure what’s left for them during their senior year. TV infomercial personality turned dictator Bud Hill controls the music Americans listen to, the art they consume, and the plays they perform. After the suspicious death of their beloved theater teacher, Ms. Lee, Gigi and the Thespians organize risky underground rehearsals for Shakespeare’s Henry VI. The script is pared down and cut with punk music, inspired by RiotRite, an illicit Defiance zine. Despite her entanglement with longtime-crush Orin, Gigi and Axl’s convincing will-they, won’t-they tension offers the romantic narrative that propels the story. The action culminates in a raucous, high-stakes public performance of Henry VI directed by Gigi. Max narrates the story posthumously, living inside Gigi’s thoughts and providing dark, cutting exposition and plenty of dry, raunchy humor. Secrets, lies, and betrayal fuel this timely commentary on censorship and the defiant power of art set against the vivid backdrop of ’80s pop-punk music, Riot Grrrl culture, and the early internet. Gigi and Max (who’s bisexual) are cued white, Axl is racially ambiguous, and Ms. Lee is Chinese American.

This fast-paced dystopian thriller will get a standing ovation from theater kids and punk rockers alike. (reading list, playlist) (Fiction. 14-18)

Pub Date: July 16, 2024

ISBN: 9780593479957

Page Count: 304

Publisher: Knopf

Review Posted Online: April 20, 2024

Kirkus Reviews Issue: May 15, 2024

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WE'RE A BAD IDEA, RIGHT?

A light and entertaining plot-driven romance.

A Connecticut girl and her best friend devise a series of plans in order to achieve their goals: following a dream and winning back an ex.

Eighteen-year-old Audrey Barbour has a Master Plan: attend Blue Ridge Glass School in North Carolina and someday turn her Etsy shop, Golightly Glass, into a thriving business. But her uber-wealthy parents insist that she instead follow in their footsteps and go to business school. So Audrey decides to go find the tuition money she needs with help from her best friend, Henry Chen. Henry needs a favor, too: He hopes that fake dating Audrey will help him win back his ex-girlfriend, and he points out to a reluctant Audrey that this could make her crush, Griffin, notice her. While Audrey’s parents vacation in France for three weeks, the pair rent out the Barbour mansion on the Long Island Sound. Soon romantic chemistry grows alongside their business partnership. Despite the pair’s great preparation and an abundance of secondary characters with connections and talents to help pull off their increasingly ambitious ideas, plans go awry, leaving Audrey and Henry scrambling and second-guessing their choices. The pacing is even, but the characters often take a back seat to the whirlwind of activity that drives the plot, with the emphasis falling on each person’s practical skills and their role in keeping the action moving over their emotional bonds. Audrey is white, and Henry’s surname cues him as Chinese American.

A light and entertaining plot-driven romance. (Romance. 14-18)

Pub Date: March 31, 2026

ISBN: 9780593904794

Page Count: 384

Publisher: Delacorte Romance

Review Posted Online: Dec. 12, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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