Next book

THE FIX-ITS

NAIL NEEDS HELP

From the I Can Read! Comics series

Disarmingly funny and quite compelling—here’s hoping for more from this handy crew.

Hammer needs assistance from the toolbox community in this graphic novel for the younger set.

“Once upon a time a nail was stuck,” a narrative text box informs readers. While the wood board in which the nail is embedded (“stuck. Like this. Forever”) seems quite put out, the inhabitants of a nearby toolbox hear the calls for help. Hammer’s plan to perform a heroic rescue hits the nail on the head—literally, unfortunately. “You’re only a centimeter tall now,” the tape measure informs Nail, now stuck more than ever. “That’s less than half an inch,” clarifies a ruler. The colorful tools have earnest, animated faces and are recognizable for what they are: a hammer, a tape measure, a set of pliers, a saw, Phillips and flathead screwdrivers, and even the grumpy wood plank. When Nail finally suggests that Hammer use its “bunny ears” to help, Hammer agrees—and clarifies that those “bunny ears” are its claw. But it takes a toolbox of helpers to get Hammer turned over. Well-defined panels, generous gutters, and clear spacing of dialogue balloons make Reul’s lively, easy-to-read, and brief comic adventure a delight. The series’ simple tutorial on how to read comics is empowering both for beginning readers and budding artists.

Disarmingly funny and quite compelling—here’s hoping for more from this handy crew. (quick explanation of hammers and nails) (Graphic early reader. 4-8)

Pub Date: Feb. 6, 2024

ISBN: 9780063295513

Page Count: 32

Publisher: HarperAlley

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

Next book

THE WATER PRINCESS

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...

An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.

Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.

Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)

Pub Date: Sept. 13, 2016

ISBN: 978-0-399-17258-8

Page Count: 40

Publisher: Putnam

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview