by Sarah Marwil Lamstein & illustrated by Neil Waldman ‧ RELEASE DATE: Sept. 1, 2007
When a small village has a meager harvest with not enough olives for oil to light the Chanukah menorahs, Hayim, the poorest, sends an appealing letter to the Almighty so the holiday may still be traditionally celebrated. A strong wind brings the letter to the hands of the wealthy merchant, Ger Yehudah. Believing in his duty to help the poor, the merchant sends the villagers vats of the best oil along with baskets of fruit, flour, sugar and a glittering silver menorah bearing his name. But many think Hayim is a thief and refuse to use the generous supplies that Hayim himself faithfully trusts are a “gift from the Almighty.” A new letter questioning the situation prompts Ger Yehudah to visit the village to assure everyone of the Almighty’s request to provide help, thus restoring credence in Hayim’s conviction of the Almighty’s influence on all their lives. The spiritual message in the romantic text is wonderfully portrayed with Waldman’s full double-paged spreads done in mellifluous watercolors and micron pen. Background scenes are superimposed with detailed close-ups of the story’s characters, action and themes. More than a holiday folktale, this one brings out the significance of graceful benevolence and humble appreciation. (Picture book. 5-8)
Pub Date: Sept. 1, 2007
ISBN: 978-1-932425-74-1
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
Share your opinion of this book
More by Sarah Marwil Lamstein
BOOK REVIEW
by Sarah Marwil Lamstein and illustrated by Carol Benioff
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2022
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience.
The How to Catch A… crew try for Comet.
Having already failed to nab a Halloween witch, the Easter Bunny, a turkey, a leprechaun, the Tooth Fairy, and over a dozen other iconic trophies in previous episodes of this bestselling series, one would think the racially diverse gaggle of children in Elkerton’s moonlit, wintry scenes would be flagging…but no, here they lay out snares ranging from a loop of garland to an igloo baited with reindeer moss to an enticing candy cane maze, all in hopes of snagging one of Santa’s reindeer while he’s busy delivering presents. Infused with pop culture–based Christmas cheer (“Now I’ve already seen the shelf with the elf”), Comet prances past the traps until it’s time to gather up the kids, most of whom look terrified, for a group snapshot with the other reindeer and then climb back into harness: “This was a great stop but a few million to go / Christmas Eve must continue with style!” Though festive, the verse feels trite and unlikely to entice youngsters. A sprinkling of “True Facts About Reindeer” (“They live in the tundra, where they have friends like the arctic bunny”) wrap up this celebration of the predatory spirit. (This book was reviewed digitally.)
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience. (Picture book. 5-7)Pub Date: Oct. 4, 2022
ISBN: 9781728276137
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 12, 2022
Share your opinion of this book
More by Alice Walstead
BOOK REVIEW
by Alice Walstead ; illustrated by Andy Elkerton
BOOK REVIEW
by Alice Walstead ; illustrated by Andy Elkerton
BOOK REVIEW
by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.