When a small village has a meager harvest with not enough olives for oil to light the Chanukah menorahs, Hayim, the poorest, sends an appealing letter to the Almighty so the holiday may still be traditionally celebrated. A strong wind brings the letter to the hands of the wealthy merchant, Ger Yehudah. Believing in his duty to help the poor, the merchant sends the villagers vats of the best oil along with baskets of fruit, flour, sugar and a glittering silver menorah bearing his name. But many think Hayim is a thief and refuse to use the generous supplies that Hayim himself faithfully trusts are a “gift from the Almighty.” A new letter questioning the situation prompts Ger Yehudah to visit the village to assure everyone of the Almighty’s request to provide help, thus restoring credence in Hayim’s conviction of the Almighty’s influence on all their lives. The spiritual message in the romantic text is wonderfully portrayed with Waldman’s full double-paged spreads done in mellifluous watercolors and micron pen. Background scenes are superimposed with detailed close-ups of the story’s characters, action and themes. More than a holiday folktale, this one brings out the significance of graceful benevolence and humble appreciation. (Picture book. 5-8)
Pub Date: Sept. 1, 2007
ISBN: 978-1-932425-74-1
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK REVIEW
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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