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Busy dialogue and much popping to and fro: the next episode will no doubt feature yet another sibling.

Chirpy provincial romance from second-novelist Mason (Playing James, 2004) revisits another sister of the gregarious Colshannon clan of Cornish.

Having returned from a disastrous around-the-world trip, and now living with her actor parents at their charming old house in Cornwall (prime Daphne du Maurier country), Clemmie, one of seven Colshannons (sister to Holly), temporarily works as a waitress at a café in Tintagel—yes, home to King Arthur! Her career is on hold for this installment, as she becomes caught up in the drama of reporter Holly’s Bristol Gazette, where the society pages editor, Emma McKellan, daughter to the rich solicitor Sir Christopher, has mysteriously disappeared without retrieving her effects at the office. Imperious Emma seems to be engaged to a handsome Cambridge boy, Charlie Davidson, the wedding planned shockingly for a week hence, but the father violently disapproves; Holly decides that Sir C is hiding his daughter and that this will be her big newspaper coup. While snooping around in Bristol, the sisters unearth some information about the drug case that Sir C was involved in. Emma, indeed, is discovered, pregnant and hiding from the selfsame Charlie, aka Martin Connelly, a young drug criminal Emma’s father put away in jail seven years before. Now, he’s preying on Emma out of a kind of sick revenge. The young women play fugitives in order to secrete Emma from the clutches of Martin, and eventually the whole family sets off to the south of France for a frolicsome week’s holiday. There are merry escapades among the 20-something pub set, and many changes of partners: the ubiquitous family friend Sam finds Clemmie more appealing than his affected “ra-ra” Charlotte, while lovable brother Barney takes up with a daughter from the rival Fothersby family—horrors! Meanwhile, eccentric mother Sorrel pipes in constantly, “What on earth are you wearing?”

Busy dialogue and much popping to and fro: the next episode will no doubt feature yet another sibling.

Pub Date: June 28, 2005

ISBN: 0-345-46957-7

Page Count: 368

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

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As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Brown (Mean Streak, 2014, etc.) ticks off the boxes that elevate her books to the bestseller lists in this sexy romantic thriller set in Texas.

Rock-jawed hero with a dark past: check. Strong-willed, beautiful woman who resists his charms: check. A Whitman’s Sampler of bad guys: check. And finally, a convoluted and not always plausible plot: check. In this latest outing, readers meet TV journalist Kerra Bailey, whose family was torn apart years ago by a hotel bombing that killed 197 people in Dallas. Just in time for the 25th anniversary, Kerra scores an interview with the notoriously private Maj. Trapper, who saved her life, among others, when he emerged from the blast to lead the survivors out of danger. There's an iconic, prizewinning photo of the major carrying a little girl from the wreckage, but the child has never been identified—until now, when Kerra goes public with the information that it was her. Just after they finish filming the interview in his home, the major is shot, and an injured Kerra escapes in the confusion. The major’s son, disgraced Bureau of Alcohol, Tobacco, Firearms and Explosives agent John Trapper—a name M*A*S*H fans will appreciate—steps in, igniting a chain of events that leads to murder, intrigue, betrayal, and a series of dark revelations. As with most of Brown’s heroes and heroines, there’s palpable sexual tension between Trapper, whose taut rear occupies ample literary real estate, and Kerra, who when dealing with Trapper feels “like he’d lightly scratched her just below her bellybutton” when he’s not making her “pleasure points throb.” The complex plot plays out in a round of reveals that don’t always make a lot of sense, but that’s not why Brown’s fans read her books. They check in for the witty, pitch-perfect dialogue and fluid writing. A master of her genre, Brown knows how to please her most ardent readers but relies too often on the same basic formula from novel to novel.

As the plot grows more complicated, it also sheds believability, leaving sex and witty banter to carry the day.

Pub Date: Aug. 15, 2017

ISBN: 978-1-4555-7210-6

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: July 3, 2017

Kirkus Reviews Issue: July 15, 2017

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Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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