by Sarah McIntyre ; illustrated by Sarah McIntyre ‧ RELEASE DATE: July 21, 2020
A delicious blend of the fanciful yet realistic.
A unicorn with writer’s block turns into a whole story.
Unicorn has every writer’s dream setup: a charming, cozy, isolated shack well stocked with writing supplies, friends to bring him snacks, and time to write. But he “didn’t know where to begin his story.” He assembles his special writing implements and beverages to boost his creative juices. But: “I wish an idea would come knocking at my door,” he says, and in riotously colored spreads, supportive sea creatures try to help. Narwhal asks to be a character, Mermaid brings him cookies as a bribe for a featured role, and Jellyfish bubbles over with ideas. But Unicorn refuses to see these as anything other than distractions, yelling “I can’t get ANY ideas because everyone keeps bothering me!” After he throws his notebook and special pen into the sea, his friends find the empty notebook and decide to fill it with their own story, relating everything that just happened in the preceding pages with themselves in starring roles. Each spread offers a wealth of details for readers to pore over, and the goofy sea creatures are fun and clever. Silent sea horses, trailing in the background, help bring the story to a satisfying conclusion in the endpapers. This hits just the right notes, engaging children, who will want to yell at the stubborn unicorn, and making any procrastinating adults chuckle in recognition.
A delicious blend of the fanciful yet realistic. (Picture book. 4-8)Pub Date: July 21, 2020
ISBN: 978-1-338-61799-3
Page Count: 32
Publisher: Scholastic
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: Sept. 13, 2016
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of...
An international story tackles a serious global issue with Reynolds’ characteristic visual whimsy.
Gie Gie—aka Princess Gie Gie—lives with her parents in Burkina Faso. In her kingdom under “the African sky, so wild and so close,” she can tame wild dogs with her song and make grass sway, but despite grand attempts, she can neither bring the water closer to home nor make it clean. French words such as “maintenant!” (now!) and “maman” (mother) and local color like the karite tree and shea nuts place the story in a French-speaking African country. Every morning, Gie Gie and her mother perch rings of cloth and large clay pots on their heads and walk miles to the nearest well to fetch murky, brown water. The story is inspired by model Georgie Badiel, who founded the Georgie Badiel Foundation to make clean water accessible to West Africans. The details in Reynolds’ expressive illustrations highlight the beauty of the West African landscape and of Princess Gie Gie, with her cornrowed and beaded hair, but will also help readers understand that everyone needs clean water—from the children of Burkina Faso to the children of Flint, Michigan.
Though told by two outsiders to the culture, this timely and well-crafted story will educate readers on the preciousness of potable water. (Picture book. 5-8)Pub Date: Sept. 13, 2016
ISBN: 978-0-399-17258-8
Page Count: 40
Publisher: Putnam
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
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by Susan Verde ; illustrated by Juliana Perdomo
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