Children can expand on the ideas in this slight celebration of weather; strong backmatter will answer their questions.
A group of racially diverse children show their appreciation for the rain in this series entry.
Each book of the I Like the Weather series starts with the title declaration and a statement as to how that weather “speaks” to an unidentified first-person child narrator: “I like the rain— / pitter-patting through the green, / washing all the petals clean, / tapping on my nose and cheeks. / This is how the rain speaks.” The text then goes on to describe the different activities to enjoy in the rain—splashing in puddles, listening to thunder, and seeing a rainbow. The cheery, soft-edged cartoon illustrations depict all this and add details, such as floating a paper boat in a puddle and taking shelter before a storm. While the rhythms are spot-on (and identical) across all four books, the rhymes are looser: sheets with streaks; cushions with oceans. A backmatter spread in each book gives child-appropriate, easy-to-understand science-based answers to four weather-related questions, including: “What are lightning and thunder”; “Why does wind blow?”; “Why does the sun feel hotter in summer?”; and “Why is snow white?” The final question is always “How does the ___ help us?” Few adults are depicted even when children are in or near bodies of water, and two children on a boat wear rain gear but no life jackets. A single scene in I Like the Wind shows a secondary character in a wheelchair; a primary character throughout wears glasses. (This book was reviewed digitally with 7.9-by-15.8-inch double-page spreads viewed at 44.2% of actual size.)
Children can expand on the ideas in this slight celebration of weather; strong backmatter will answer their questions. (Picture book. 3-7)Pub Date: March 8, 2021
ISBN: 978-1-64686-098-2
Page Count: 24
Publisher: Barefoot Books
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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