Exciting and futuristic, this book elicits that anything-is-possible feeling—a must-read.
A renowned space archaeologist gives readers an insider’s look at her field, which is basically Indiana Jones meets cutting-edge satellite technology. It’s every bit as exciting as it sounds.
Discovering ancient civilizations by digging them up has always had grand romantic appeal. Parcak (Anthropology/Univ. of Alabama, Birmingham; Satellite Remote Sensing for Archaeology, 2009), the president and founder of GlobalXplorer and winner of the TED Prize, was among a generation of kids wooed by archaeology in movies like Raiders of the Lost Ark. But unlike most of us, she followed through on her passion, committing early to archaeology and pioneering the use of advanced technologies as a means to significantly improve the chances of the discovery of a lost site. Such excavations offer much more than just a cache of dusty loot; as she writes, “that dirt contains nothing less than the clues to who we are, how we got here, and how we might thrive in the future.” In this fascinating adventure memoir, the author describes how remote sensing technology powered by orbiting satellites has transformed archaeologists’ ability to locate and verify sites that might otherwise never have been discovered. As the lead in many big discoveries around the world, from Egypt to Newfoundland, Parcak has a lot of great stories to tell, and she tells them with clarity, enthusiasm, and humor. She also looks into the future, explaining that artificial intelligence and DNA analysis could further push the field into territory that only recently would have been considered sci-fi. And then there is crowdsourcing: The author is optimistic that regular people have the power to “find and protect the world’s hidden heritage” through the online mapping of millions of undiscovered sites. Us, space archaeologists? There is no doubt that she will have no shortage of volunteers.
Exciting and futuristic, this book elicits that anything-is-possible feeling—a must-read.Pub Date: July 9, 2019
ISBN: 978-1-250-19828-0
Page Count: 288
Publisher: Henry Holt
Review Posted Online: May 6, 2019
Kirkus Reviews Issue: June 1, 2019
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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