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SOONER OR LATER EVERYTHING FALLS INTO THE SEA

An auspicious start to what promises to be one wild ride of a literary career.

In her debut collection, widely lauded author/musician Pinsker zips through road trips, space ships, speculative futures, and parallel presents with stories that are equal parts hard-wired sci-fi theory and hard-traveling rock-and-roll attitude.

The 13 short stories that make up this collection range from near novella length—“Our Lady of the Open Road,” “Wind Will Rove,” and the phenomenal “And Then There Were (N-One)”—to the very brief—“The Sewell Home for the Temporally Displaced,” which clocks in at a little under three pages. Their subject matter is equally diverse. In “A Stretch of Highway Two Lanes Wide,” the main character’s mangled arm has been replaced with a “Brain-Computer Interface” prosthetic which believes itself to be a road somewhere in Colorado; in “The Low Hum of Her,” a family undertakes an Ellis Island–esque immigration accompanied by an AI mechanical replicate of their departed Bubbe hidden in the steamer trunk. With stories that jump from divergent pasts to possible futures and include main characters of all age ranges, genders, and social backgrounds, it would be easy for the book to become disjointed. However, Pinsker’s undeniable talent for familiarizing characters caught in deeply unfamiliar situations (a treehouse that hides an alien race’s architectural salvation; an 18th-century seaport town beset by sirens; folk musicians on a generational star ship whose destination they will not live to see) brings a uniting element of empathy to even the most far-fetched conceit. There are also similarities between the thematic preoccupations of the individual works. Pinsker’s characters are often loners dedicated to idiosyncratic artistic pursuits—like fiddling in space or building scale models of murder houses. They are stubborn adherents to codes of authenticity that their worlds have abandoned, and the stories' plots tend to center around their revolts against conventional (or fantastical) social norms. Populated by anarchists, punks, survivalists, luddites, drifters, and rock-and-roll queers, Pinsker’s stories romp through their conceits with such winning charm that even the less successfully cohesive among them delight with their nuanced detail. In spite of being hampered slightly by a tendency to invest more in the worldbuilding than in the culmination of plot, Pinsker has delivered a sturdy collection in the speculative tradition of Ursula K. Le Guin or Kelly Link but with her own indomitable voice front and center.

An auspicious start to what promises to be one wild ride of a literary career.

Pub Date: March 19, 2019

ISBN: 978-1-61873-155-5

Page Count: 304

Publisher: Small Beer Press

Review Posted Online: Dec. 10, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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