A gritty, glamorous novel full of sex, drugs, and rock ’n’ roll.
In 1977, a young woman moves to Los Angeles and quickly finds herself caught up in the exciting—but dangerous—music scene.
Priscus’ debut novel starts with a bang: “Josie, who’d be covered in blood on bathroom tiles in nine months’ time, met me at the Greyhound Station.” The “me” in question is Faun Novak, who has nothing to lose when she moves to LA to live with her high school best friend, Josie. A recent college dropout, Faun arrives with little more than her beloved Polaroid camera. Josie’s always been a bit larger than life, and now she’s spun her charm into something truly impressive: She’s dating Cal Holiday, the lead singer of the rock band Holiday Sun. Faun easily gets swept into Josie’s glamorous world, clutching her camera and taking photographs of the debauched situations she encounters behind the scenes as she and Josie party with the band. Faun befriends the other girls who hang out with Holiday Sun, the ones who are often dismissed as groupies—a band member’s wife, another band member’s underage girlfriend. But all that glitters isn’t gold, and Josie’s relationship with Cal Holiday isn’t as perfect as it looks from the outside. The lifestyle that Faun thought she wanted and the band she initially worshipped aren’t quite as exciting after countless concerts and parties. And as Faun’s journey races toward the bloody ending promised in the opening line, she realizes that she may be in way over her head. The story is peppered with so many details about debauched parties and blaring music that readers can almost see the Polaroids that Faun compulsively snaps. And although it’s quite effective as a time capsule of the 1970s rock scene, it’s also an exploration of obsession and a compassionate look at the women and girls many people would easily dismiss. This would be a perfect choice for fans of Daisy Jones & the Six.
A gritty, glamorous novel full of sex, drugs, and rock ’n’ roll.Pub Date: July 12, 2022
ISBN: 978-0-06-321801-7
Page Count: 368
Publisher: Morrow/HarperCollins
Review Posted Online: April 26, 2022
Kirkus Reviews Issue: May 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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