This sequel lacks the excitement of its predecessor, but a shocking cliffhanger ending may salvage it for readers.

SIEGE OF SHADOWS

From the Effigies series , Vol. 2

Maia, Chae Rin, Lake, and Belle continue their face-off against Saul in Book 2 of the Effigies series, following Fate of Flames (2016).

After a failed attempt to capture Saul, the public is losing confidence in the Effigies, and the sect is scrambling to restore the illusion of order. Meanwhile, Maia, Chae Rin, Lake, and Belle have more urgent matters on their minds as Saul remains ever elusive, and they can add engineered Effigies to their growing list of enemies. As if that weren’t enough, it turns out the sect definitely can’t be trusted. It’s just another day in the life as Maia also plays tug of war with Natalya, the previous fire Effigy, for control of her body. Oh, and Rhys, her crush, may have murdered Natalya—a revelation that brings far-reaching consequences. As the questions about their origins pile up and what that means in this new fight against Saul, more than ever, the girls need to work as a team. This has all the makings of a great sequel, but it stumbles in its execution. Meandering plotlines, Maia’s prolonged internal battles, and clumsy character development make for a slow-paced, plodding read. Maia’s mother was Caribbean, Lake is British-Nigerian, Chae Rin is Korean, and Belle is a white European, but these diverse cultural characterizations don’t manifest themselves in any meaningful way.

This sequel lacks the excitement of its predecessor, but a shocking cliffhanger ending may salvage it for readers. (Fantasy. 14-adult)

Pub Date: Nov. 21, 2017

ISBN: 978-1-4814-6680-6

Page Count: 464

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Aug. 27, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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A worthy successor to an explosive debut.

BLOODMARKED

From the Legendborn series , Vol. 2

After Awakening the dormant spirit of her ancestor King Arthur Pendragon, almost-17-year-old Briana Matthews must fight to learn and control her magical inheritances.

As a Black person who also possesses the ability to use Root, a form of magic borrowed from deceased practitioners and passed down to her through her mother’s family, Bree is unique in the Line of Pendragon. It is through blood and violence that Bree’s magical abilities intertwined—both those from Arthur’s Welsh origins and from her family’s Bloodcraft originating during chattel slavery in the American South. Together they have turned her into one of the most powerful people either Line has ever known. The intricacies of her navigation of her new powers are at the heart of this sequel to Legendborn (2020), especially as Bree balances the knowledge that her Blackness creates a critical distance between her and the racist people she is sworn to protect as the king of all Legendborns. The plot is complex, and the morsels of information that help fill in the gaps of knowledge don’t always feel fully formed, which may leave readers confused as they try to keep up with the new powers and beings that are presented. Still, there are important, if hard to read, references, for example, when Bree is kidnapped and experimented on by an all-White council, a turn of events that reflects Deonn’s commitment to presenting unflinching truths about the cyclical insidiousness of racism.

A worthy successor to an explosive debut. (Fantasy. 14-18)

Pub Date: Nov. 8, 2022

ISBN: 978-1-5344-4163-7

Page Count: 640

Publisher: Simon & Schuster

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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