A charming dramedy featuring a promising sleuthing duo.
In this mystery/romance, a woman whose longtime crush just married her sister escapes to her godmother’s crumbling castle in France only to encounter the snarky best man in residence.
New Yorker Merry DeLuca is dreading walking down the aisle. She is a bridesmaid at her sister Angela’s wedding but has been friends with the groom, Leo Fernandes, for years and is secretly in love with him. She was finally going to confess this to Leo when, alas, he met the more beautiful Angela. Further aggravating matters is Leo’s best man, Noah Wright, a famous travel documentarian. A pre-wedding meeting did not go well, with Merry spotting that the guarded, watchful Noah dumped her gift of wine in the trash. At the wedding, stressed-out Merry gets drunk and flirts with Noah, waking up the next day in a hotel room to find him sleeping beside her. She sneaks out and faces further challenges. A human resources mediator, she has to fire a lot of people, and then Angela announces that she’s pregnant. So Merry quits her job and follows her unconventional godmother Jupiter Mountlake’s advice that “you’re allowed to escape if your life is in a trash compactor.” Merry goes to stay at the French countryside chateau that Jupiter purchased. Unfortunately, the place is a dump, and worse, Jupiter rented the chateau to Noah. Amid missteps, Merry and Noah learn to open up to each other and uncover a painting by a renowned missing artist, providing new clues for Noah—the vanished artist turns out to be one of the underlying reasons for Noah’s travels.
Ready has written a tale that deliciously taps into its French trappings. Merry enjoys pungent cheeses and the attentions of a handsome local art gallery owner called—but of course—Pierre. Yet this novel also includes psychological nuances that enrich what could have been simply a rather glossy and superficial story. Lead couple Merry and Noah are sketched out with childhood backstories that explain their wary natures. Even secondary characters Angela and Leo return for their own revealing twists, including one on the Lovers’ Bridge that figures prominently for several reasons in the tale. The mystery weaving through this romance gets overly convoluted at times (What took Noah so long to get to this chateau?). There are also a lot of rather fortuitous, just-in-time entrances by other characters who block Merry and Noah at critical moments. But overall, it’s hard to resist a story with a female hero who reprieves a lobster and realizes that Angela’s appropriation of what Merry first desires is a pattern (“I know that look. It’s the red bike look”). The novel’s final moments, which bring together the characters in an emotionally satisfying way, update the book’s opening scene. Merry and Noah would certainly make for engaging detectives unraveling mysteries in future installments. His roaming adventures could be aided by her mediator skills, which come in handy during a tense moment with Pierre in this tale. Indeed, Ready perhaps hints at this future with Merry’s final note: “Don’t forget to watch his latest episodes, where we travel to all the most romantic locations in the world—the Amalfi Coast is next.”
A charming dramedy featuring a promising sleuthing duo.Pub Date: April 26, 2023
ISBN: 9781954007482
Page Count: 454
Publisher: W.W. Crown
Review Posted Online: Jan. 12, 2023
Kirkus Reviews Issue: March 15, 2023
Review Program: Kirkus Indie
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.
A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.
Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.Pub Date: April 14, 2026
ISBN: 9780063380264
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
