Lovely to look at but inartfully told.

READ REVIEW

MADAME MARTINE BREAKS THE RULES

Following his adoption in Madame Martine (2014), Max the dog leads his owner on another chase—this time in the Louvre.

It's another Saturday—the day Madame Martine and Max venture out of their Paris apartment to explore. When Martine's friend Louis, a guard at the Louvre, meets her at the cafe and asks her to visit him, she makes excuses for never going: “It's so crowded, and they don't allow dogs.” Louis goes off to work while Martine and Max ride the Métro, getting off at the Palais Royale stop for a new adventure. When Max spots Louis near the Louvre’s employee entrance, he scampers past and into the museum, with the two in pursuit. But their chase is short-lived, and suddenly Max is in Martine's arms. Readers primed for a lesson in art history with a dash of humor will be disappointed; Louis excitedly points out exquisite masterpieces, but Martine is decidedly uninterested, solely focused on leaving before Max is spotted. Only when Louis shows her the Mona Lisa does Martine pause to admire an artwork. The tension sputters, and the story ends on an anticlimactic note. As in Brannen's first Martine and Max story, the beautiful watercolor illustrations starring the inimitable Max are expressive and carefully rendered—but altogether different is Martine's reaction to her first experience visiting a Paris landmark.

Lovely to look at but inartfully told. (Picture book. 4-7)

Pub Date: Sept. 1, 2015

ISBN: 978-0-8075-4907-0

Page Count: 32

Publisher: Whitman

Review Posted Online: June 6, 2015

Kirkus Reviews Issue: June 15, 2015

Did you like this book?

No Comments Yet

Readers will agree: All differences should be hugged, er, embraced.

BIRD HUGS

Watch out, Hug Machine (Scott Campbell, 2014), there’s another long-limbed lover of squeezes in the mix.

Bernard, a tiny, lavender bird, dejectedly sits atop a high branch. His wings droop all the way to the ground. Heaving a sigh, his disappointment is palpable. With insufferably long wings, he has never been able to fly. All of his friends easily took to the skies, leaving him behind. There is nothing left to do but sit in his tree and feel sorry for himself. Adamson amusingly shows readers the passage of time with a sequence of vignettes of Bernard sitting in the rain, the dark, and amid a cloud of paper wasps—never moving from his branch. Then one day he hears a sob and finds a tearful orangutan. Without even thinking, Bernard wraps his long wings around the great ape. The orangutan is comforted! Bernard has finally found the best use of his wings. In gentle watercolor and pencil sketches, Adamson slips in many moments of humor. Animals come from all over to tell Bernard their troubles (a lion muses that it is “lonely at the top of the food chain” while a bat worries about missing out on fun during the day). Three vertical spreads that necessitate a 90-degree rotation add to the fun.

Readers will agree: All differences should be hugged, er, embraced. (Picture book. 4-7)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5420-9271-5

Page Count: 40

Publisher: Two Lions

Review Posted Online: Sept. 29, 2019

Kirkus Reviews Issue: Oct. 15, 2019

Did you like this book?

No Comments Yet

Aims high but falls flat.

WILD SYMPHONY

Through 20 short poems, Maestro Mouse invites readers to meet a series of animals who have lessons to impart and a symphony to perform.

Brown, author of The DaVinci Code (2003) and other wildly popular titles for adults, here offers young listeners a poetry collection accompanied by music: a “symphony” performed, for readers equipped with an audio device and an internet connection, by the Zagreb Festival Orchestra. From the introduction of the conductor and the opening “Woodbird Welcome” to the closing “Cricket Lullaby,” the writer/composer uses poems made of three to eight rhyming couplets, each line with four strong beats, to introduce the animals who will be revealed in the final double gatefold as the players in an all-animal orchestra. Each poem also contains a lesson, reinforced by a short message (often on a banner or signpost). Thus, “When life trips them up a bit, / Cats just make the best of it” concludes the poem “Clumsy Kittens,” which is encapsulated by “Falling down is part of life. The best thing to do is get back on your feet!” The individual songs and poems may appeal to the intended audience, but collectively they don’t have enough variety to be read aloud straight through. Nor does the gathering of the orchestra provide a narrative arc. Batori’s cartoon illustrations are whimsically engaging, however. They include puzzles: hard-to-find letters that are said to form anagrams of instrument names and a bee who turns up somewhere in every scene.

Aims high but falls flat. (Complete composition not available for review.) (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-593-12384-3

Page Count: 44

Publisher: Rodale Kids

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

Did you like this book?

No Comments Yet
more