by Sarah Sassoon ; illustrated by Noa Kelner ‧ RELEASE DATE: Nov. 1, 2022
A moving and authentic story of love, family, and home.
The bangles that Shoham and their grandmother wear may be small, but they mean so very much.
Shoham and Nana Aziza have a special and loving relationship. They gaze at the stars together, cook and bake together, and pick figs from their tree in the garden. Shoham wears one bangle; Nana Aziza wears many. Nana Aziza teaches Shoham how to cut round cookies using a bangle or to move a bangle from one wrist to the other to help remember something important. Shoham is told that the family will be emigrating from Iraq to Israel, which Shoham’s father has been praying for (in an author’s note, Sassoon states that in 1951 her own grandmother, her grandfather, and their children—along with 120,000 other Iraqi Jews—were airlifted to Israel under Operation Ezra & Nehemiah). An overhead view of the very small suitcase that must hold the belongings of eight people signifies, simply and poignantly, what the family values as they move to their new lives. No jewelry is allowed, however, and Shoham is told that the bangles must be left behind. But Nana Aziza finds a way to put things right, and eventually Shoham settles into their new home while never forgetting their old one. Passengers on the plane are crowded into their seats; the thoughtfully drawn faces reflect a variety of emotions: fear, worry, happiness, hope, and love. Shoham and their family are brown-skinned and Jewish. (This book was reviewed digitally.)
A moving and authentic story of love, family, and home. (Picture book. 5-8)Pub Date: Nov. 1, 2022
ISBN: 978-1-72843-902-0
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Sarah Sassoon ; illustrated by Viviana Garofoli
by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Jay Fleck
by Jonathan Stutzman ; illustrated by Jay Fleck
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
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New York Times Bestseller
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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