A tragic, occasionally uplifting story that reveals more about the author's psychological state than the foster care system.
A writer and her husband take in a newborn as a foster child in rural Idaho.
Sentilles, a graduate of Harvard Divinity School and author of Breaking Up With God, among other books, lovingly cared for baby Coco for nine months while her troubled birth mother, Evelyn, worked on her personal issues. It's clear that the author, who had reluctantly agreed with her husband not to have biological children, hoped the arrangement with Coco would lead to adoption. After becoming qualified to foster, the couple turned down many children. “We said no a lot,” writes Sentilles. “To sibling set after sibling set. To older child after older child. To child in need after child in need after child in need.” The author also discusses Idaho’s status as a “reunification state,” where “reunifying foster children with their biological parents is considered a victory.” This leaves readers in the uncomfortable position of feeling that Sentilles, so emotionally and spiritually invested, has set herself up for an inevitable devastation. The social workers she encountered come across as chilly and defensive in the text, though it’s obvious they were also harried and overworked. The author portrays Coco in a consistently glowing light; she was a charming “delight” seemingly everywhere she went. Though interspersed passages about how whales and trees care for each other and parables from the Bible offer welcome relief from the pain of the central story, they don’t provide much added value. Throughout, Sentilles scrupulously examines her own thoughts and feelings—including her guilt that she would be happy to see Evelyn fail or "flip her truck" if it meant she could keep Coco—but it’s evident that she is not past that chapter of her life. In the epilogue, the author chronicles the continuing battle among her and Coco’s unfit biological parents, social workers, and lawyers.
A tragic, occasionally uplifting story that reveals more about the author's psychological state than the foster care system.Pub Date: May 4, 2021
ISBN: 978-0-593-23003-9
Page Count: 432
Publisher: Random House
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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