A potent social and economic message embedded within an affecting memoir.
Journalist Smarsh explores socio-economic class and poverty through an account of her low-income, rural Kansas–based extended family.
In her first book, addressed to her imaginary daughter—the author, born in 1980, is childless by choice—the author emphasizes how those with solid financial situations often lack understanding about families such as hers. Smarsh, a fellow at Harvard’s Kennedy School of Government, lived a nomadic life until becoming a first-generation college student. Smarsh vowed to herself and her imaginary daughter to escape the traps that enslaved her mother, grandmothers, female cousins, and others in her family. “So much of childhood amounts to being awake in a grown-up’s nightmare,” she writes. “Ours happened to be about poverty, which comes with not just psychological dangers but mortal ones, too.” Because the author does not proceed chronologically, the numerous strands of family history can be difficult to follow. However, Smarsh would almost surely contend that the specific family strands are less important for readers to grasp than the powerful message of class bias illustrated by those strands. As the author notes, given her ambition, autodidactic nature, and extraordinary beauty, her biological mother could have made more of herself in a different socio-economic situation. But the reality of becoming a teenage mother created hurdles that Smarsh’s mother could never overcome; her lack of money, despite steady employment, complicated every potential move upward. The author’s father, a skilled carpenter and overall handyman, was not a good provider or a dependable husband, but her love for him is fierce, as is her love for grandparents beset by multiple challenges. While she admits that some of those challenges were self-created, others were caused by significant systemic problems perpetuated by government at all levels. Later, when Smarsh finally reached college, she faced a new struggle: overcoming stereotypes about so-called “white trash.” Then, she writes, “I began to understand the depth of the rift that is economic inequality.”
A potent social and economic message embedded within an affecting memoir.Pub Date: Sept. 18, 2018
ISBN: 978-1-5011-3309-1
Page Count: 304
Publisher: Scribner
Review Posted Online: May 15, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
PROFILES
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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