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THE DROWNING SEA

So many crimes and misdemeanors that you’ll need a score card. Nice local color, though.

Now that she’s quit her job as a homicide detective on Long Island, Maggie D’arcy assumes her long summer vacation in West Cork will be free of past entanglements. As if.

Maggie’s 17-year-old daughter, Lilly, instantly spots a spectral figure in the window of the cottage they’re renting on the grounds of Rosscliffe House with Maggie’s sweetie, history professor Conor Kearney. The logical candidate is Dorothea Reynolds, a governess to the children of the Crawford family, who vanished from Rosscliffe Manor in 1973. Maggie and Conor’s landlady, Lissa Crawford, a painter who grew up in the manor but sold the big house, is unhappy because she thought Dublin banker Lorcan Murphy and local builder Sam Nevin would refurbish the place, not turn it into a hotel. The customary squabbles between haves and have-lesses are upstaged at least briefly by the discovery on Crescent Beach of the late Lukas Adamik, a Pole who worked for Nevin before he too went missing. The news of his death, which everyone hopes will provide closure for his girlfriend, Zuzanna Brol, instead serves as a prelude to her own drowning. Did she fall, or was she pushed? Though DS Ann Tobin of the Garda Síochána is mourning the fatal overdose of her son, she seems perfectly competent. Even so, Maggie can’t resist taking time out from fretting about Conor’s ex and Lilly’s romance with Lukas’ friend Alex Sadowski to ask a few questions, and then a few more. The two women uncover a diffuse web of intrigue that implicates so many suspects it’s a relief when one of them is finally arrested.

So many crimes and misdemeanors that you’ll need a score card. Nice local color, though.

Pub Date: June 21, 2022

ISBN: 978-1-25082-665-7

Page Count: 352

Publisher: Minotaur

Review Posted Online: March 29, 2022

Kirkus Reviews Issue: April 15, 2022

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FRAMED IN DEATH

High art meets low life in a tale a lot more sympathetic to the latter.

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Someone is stalking the streets of Lt. Eve Dallas’s New York, intent on bringing new life to sex workers by snuffing out their old ones.

In 2061, prostitutes are called licensed companions, and that’s Leesa Culver’s job description when she’s accosted by a plausible-looking artist who wants to hire her as a model for the night. Before the night is over, she’s been drugged, strangled, costumed, and posed as an uncanny replica of Vermeer’s Girl With a Pearl Earring. The shock of the crime is deepened by the murder the following night of licensed companion Bobby Ren, whose body is discovered at an art gallery entrance costumed and posed as Gainsborough’s Blue Boy. The killer clearly has an obsessive agenda, a rapid-fire timetable, and access to unlimited financial resources that have allowed him to commission expensive custom-made outfits for the victims. This last detail both marks his power and points to the way Dallas, her gazillionaire husband, Roarke, and her sidekick, Det. Delia Peabody, will track him down by methodically narrowing the field of consumers who’ve purchased the costly costumes. After identifying the guilty party two-thirds of the way through the story, they’ll still face an uphill battle convicting a killer with no conscience, no respect for the law, and a budget that would easily cover the means to jump bail, remove his ankle tracker, and hire a private jet to escape to a foreign land with no extradition treaty. Robb keeps it all consistently absorbing by sweating every procedural detail along with her heroine. Only Dallas’ climactic interrogation of her prisoner is a letdown, because it’s perfectly obvious how she’s going to wangle a confession out of him.

High art meets low life in a tale a lot more sympathetic to the latter.

Pub Date: Sept. 2, 2025

ISBN: 9781250370822

Page Count: 368

Publisher: St. Martin's

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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NIGHTSHADE

As the prosecutor sadly observes: “All this because of a dead buffalo.”

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Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.

Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.

As the prosecutor sadly observes: “All this because of a dead buffalo.”

Pub Date: May 20, 2025

ISBN: 9780316588485

Page Count: 352

Publisher: Little, Brown

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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