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A STOLEN CHILD

Characters you care about plunged into mysterious circumstances.

A newly minted Garda helps solve a highly publicized case.

After years as a detective on Long Island, Maggie D’arcy has relocated to Dublin to live with her boyfriend and train for the Garda. Given all her experience, she’s frustrated to be on street patrol, but DI Roly Byrne, whom she’d worked with on several cases before becoming a Garda, wants to expedite her move to detective. Her chance comes when a woman is murdered and her child stolen in the neighborhood patrolled by Maggie and her partner, Jason Savage. Jade Elliott was a gorgeous young model who got pregnant and kept now-2-year-old Laurel but refused to stay with the father, Dylan Maguire, a well-to-do older man who still pays her bills. Finding phone numbers for Dylan and Jade’s sister and mother, Maggie and Jason call around, but none of them have Laurel. Because the crime took place in Maggie's area, Byrne gets her temporarily assigned to the case, whose combination of a missing toddler and a murdered beauty has provoked a nationwide sensation. Using her nose for sleuthing, Maggie follows up numerous leads and turns up some clues, but Laurel remains missing. Jade, who had made some dicey connections in her modeling career, had a mother with mental health issues and an older sister who wasn’t up to helping out. Maggie senses that the sister is hiding something and also suspects Dylan, who has a solid alibi but gives off an odd vibe. Some old-fashioned police work, luck, and hunches will lead to a killer.

Characters you care about plunged into mysterious circumstances.

Pub Date: June 20, 2023

ISBN: 9781250826688

Page Count: 352

Publisher: Minotaur

Review Posted Online: April 25, 2023

Kirkus Reviews Issue: May 15, 2023

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THE MATCHMAKER

Intrigue, murder, and vengeance make for a darkly enjoyable read.

A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.

In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.

Intrigue, murder, and vengeance make for a darkly enjoyable read.

Pub Date: Feb. 1, 2022

ISBN: 978-1-64313-865-7

Page Count: 352

Publisher: Pegasus Crime

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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VIOLETS ARE BLUE

A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.

Only a writer of Patterson’s star-wattage could have hoodwinked his publisher into bringing out this unlovely mess, which pits forensic psychologist Alex Cross against two separate serial killers.

It begins with the slaughter of still another of Cross’s professional and romantic partners, FBI agent Betsey Cavalierre, by Cross’s old nemesis, the Mastermind (Roses Are Red, 2000), who instantly phones to taunt his adversary. With still another partner dead, how can Cross go on? But he has to, immediately, because another killer is on the loose—actually, a pair of killers, William and Michael Alexander, teenaged vampires whose murder of two army officers in Golden Gate Park is just a warmup for the carnage to come. As the Mastermind keeps trying to get Cross’s attention by threatening his adorable kids, his grandmother, and everyone else he’s ever known, Patterson, apparently eager to escape the constraints of the low body count in the soapy Suzanne’s Diary for Nicholas (p. 694), unleashes the hounds of hell. Under the direction of their dread Sire, the exultant Alexander brothers (“We’re immortal! We’ll never die!”), leave a trail of gory victims in Las Vegas, Savannah, New Orleans, and Baton Rouge before returning to Santa Cruz for a climactic sequence that finally unmasks the ho-hum Sire. The moment the vampire chronicles end, Cross, without missing a beat, turns to that other serial killer, and soon, courtesy of one of his famous profiler’s hunches, has the Mastermind in his sights. Can he hunt down his enemy before the Mastermind exacts a terrible vengeance against somebody else—say, beauteous Jamilla Hughes of San Francisco Homicide—whose death would reduce Cross to babbling despair? The grade-school characterizations of everyone from cops to victims to cackling psychos guarantee that you won’t care a bit.

A real test for Patterson’s huge audience: If they buy this, they’ll buy anything.

Pub Date: Nov. 19, 2001

ISBN: 0-316-69323-5

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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