A warm, gentle portrait of an immigrant’s isolation and the ways that creativity and a loving family can offer both a safe...
As in Stewart and Small’s previous The Gardener (1997) and The Journey (2001), letters to a loved one become the vehicle for a girl to explore what she sees, feels and comes to understand upon leaving home for the first time.
In this title, a family of four is moving from Mexico to America in 1957. Their poignant, pre-dawn departure starts on the endpapers. Small’s imaginative use of color and masterful variation of line combine to focus attention on Isabel’s expressive face while developing other characters and creating a convincing period with Formica countertops and big-finned cars. Silent spreads allow readers time to ponder her predicament and imagine their own reactions. As the epistles to Auntie Lupita chronicle Isabel’s encounter with snow, feelings about her new teacher and time spent at the children’s parties her mother caters, they also indirectly portray a family sensitive to a child’s well-being. When Isabel requests the big boxes left over from the parties, her family supports her special sanctuary as needed; decorated with paint, origami and cardboard rainspouts reminiscent of the clay gutters back home, her quiet place turns into a panorama of festivities on her birthday, when a double gatefold reveals many new friends.
A warm, gentle portrait of an immigrant’s isolation and the ways that creativity and a loving family can offer both a safe haven and a bridge. (Picture book. 4-8)Pub Date: Sept. 18, 2012
ISBN: 978-0-374-32565-7
Page Count: 40
Publisher: Margaret Ferguson/Farrar, Straus & Giroux
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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