by Sarah Suk ‧ RELEASE DATE: May 18, 2021
An engaging, fast-paced romance between two teens longing for acceptance.
A rivalry between two entrepreneurial teens becomes a team effort that enables them to fulfill their aspirations.
Korean American high school senior Valerie Kwon runs a wildly popular K-beauty business at school with the help of her cousin, Charlie Song. But when new student Wes Jung enters the picture, he inadvertently becomes a rival when he brings to school K-pop–branded lip balm; he soon realizes that there’s a market for the branded merchandise he has access to through his advertising executive mom. A wager ensues: Whoever makes the most money during the school year gets both businesses’ earnings. Both Valerie and Wes feel unseen at home. Valerie’s parents don’t take her passion for business seriously, instead constantly negatively comparing her to her older sister, Samantha. Valerie dreams of earning enough to take her beloved grandmother to Paris. Wes, a dedicated jazz saxophonist, plans to use his earnings to attend music school despite his parents’ disapproval of this seemingly impractical career plan. Over the course of the competition, the two fall for one another and also make progress in addressing their innermost dreams with their families. The alternating first-person narration moves skillfully between Valerie and Wes, and peripheral characters are well rounded and realistically portrayed. Details about contemporary Korean American life and culture ring true, adding texture to the story.
An engaging, fast-paced romance between two teens longing for acceptance. (Romance. 13-18)Pub Date: May 18, 2021
ISBN: 978-1-5344-7437-6
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 12, 2021
Kirkus Reviews Issue: April 1, 2021
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by Adam Silvera ‧ RELEASE DATE: May 6, 2025
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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