by Sarah Weeks & illustrated by David Diaz ‧ RELEASE DATE: April 1, 2002
While picking blackberries with his mother, a little boy is enticed by a blue butterfly and wanders away. His mother persuades Old Crow to find the child and begins describing her Angel Face to him. Old Crow begins looking for the child with dusty almonds for eyes, a mango sliver for a mouth, and hair like a rushing river, but Old Crow can only find a little boy with a face that is “plainer than a cricket.” Not wanting to return to the distraught woman empty-handed, he wakes the boy and leads him back to her. She immediately embraces the little boy, repeating her claims of his beauty. She tells Old Crow, “I knew you’d know it anyplace, my Angel’s Face.” The rhyming couplets and rich, descriptive language make the text as beautiful as the artwork swirling around it. Richly colored illustrations rendered in pastel on textured paper fill each double-paged spread. With a nod to the folk-art tradition, the paintings could stand alone from the text They are softer than Caldecott Medalist Diaz’s (Roadrunner’s Dance, 2000, etc.) usual work and a perfect accompaniment. A CD by the author-songwriter is included. A tribute to the unique beauty of every child and the special love of a mother for her son. (Picture book. 3-7)
Pub Date: April 1, 2002
ISBN: 0-689-83302-4
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
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by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: May 13, 2025
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
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New York Times Bestseller
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
Our Verdict
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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