Yishai-Levi’s characters demand empathy as well as attention from readers.
As a Jewish Israeli mother and daughter try to solve the mystery of their frayed relationship, they make discoveries that unlock older family secrets, too.
When her marriage to aspiring novelist Ari comes undone, so does Eliya. The abject misery she experiences prompts her to attempt to end her own life, but she's thwarted at least in part by the efforts of Lily, her usually remote and critical mother. Eliya’s path back to mental health and a sense of belonging is, initially, taken under the guidance of gruff and plainspoken psychiatrist Dr. Kaminsky. Part of Kaminsky’s tough-love approach to healing Eliya’s fractured psyche involves unraveling the complicated and tortured relationship between her and her mother. Secretive, critical, and mercurial, Lily came of age during the emergence of the State of Israel and was raised in a convent orphanage and a boarding school. Lily’s sense of isolation and deracination became even more pronounced after a family tragedy, and Eliya is frustrated in her attempts to reach a point of conversation with her. Burdened with an almost complete lack of knowledge about her heritage and family of birth, Lily has succeeded in isolating herself almost completely from her in-laws and local community but, intriguingly, frequently seeks advice from a bishara, a Muslim fortuneteller. Yishai-Levi delivers a multilayered narrative of multiple generations suffering from loss and family destruction against the backdrops of pre–World War II Macedonia, British-managed Israel, and Yom Kippur War–era Tel Aviv. Translated from Hebrew by Kahn-Hoffmann, the novel begins with a first-person narration by Eliya before transitioning to a broader point of view, focusing in turn on the travails of other family members before a cinematic resolution to the looming family mysteries.
Yishai-Levi’s characters demand empathy as well as attention from readers.Pub Date: March 21, 2023
ISBN: 978-1-54203-755-6
Page Count: 416
Publisher: Amazon Crossing
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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