Tender, intelligent, and brilliant.
A man displaced by war considers what it means when your home country ceases to exist.
Where do you come from? It seems like an easy enough question, but for the narrator of Stanišić’s novel, it’s anything but. When he’s asked the question, he equivocates: “First it depends on what your where is aiming at….However you look at it, your place of origin is just a construct! A kind of costume you have to wear forever once it’s been put on you. And so a curse!” The narrator—who shares his name and nationality with the author—has good reason for his vagueness. He lives in Germany, but his home country is harder to pin down: "The country where I was born no longer exists. For as long as the country still existed, I thought of myself as Yugoslavian. Like my parents, who were from Serbian (Father) and Bosnian-Muslim (Mother) families.” The novel alternates between stories of the narrator’s upbringing in Heidelberg, where his family fled after the breakout of the Yugoslav Wars, and memories of his grandmother, who’s slowly losing her memory to dementia. Stanišić has a deft hand at both the tragic and the comic: The narrator’s family “shattered along with Yugoslavia and have not yet been able to put ourselves back together again,” he writes in one passage, but later proclaims himself “the Puberty World Champion in Avoiding-Talking-to-Parents,” whose mother “probably wanted to strangle [him] with a scallion” after he became a vegetarian to impress a girl he liked. The novel ends with a Choose Your Own Adventure–style narrative that’s rendered perfectly and heartbreakingly; it’s affecting but not manipulative. Stanišić's book, ably translated by Searls, is full of tenderness and compassion and also a real intelligence—it’s a stunning novel that asks what it really means to be from somewhere, anywhere. “Words lurk over my head, they unnerve me, delight me, I need to find the right ones among them for this story,” Stanišić writes. He found them for sure.
Tender, intelligent, and brilliant.Pub Date: Dec. 7, 2021
ISBN: 978-1-951142-75-9
Page Count: -
Publisher: Tin House
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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