The sun may have set on the British Empire, but this piercing examination of its legacies is thoroughly timely.
A British Sikh journalist and documentarian probes the lasting effects of “one of the biggest white supremacist enterprises in the history of humanity.”
Sanghera opens this U.S. edition (the book was published in the U.K. in 2021) with a note to American readers: “The contention that the War of Independence marked a total rejection of the British Empire is the historical equivalent of a teenager leaving home and declaring that his parents had nothing to do with shaping him.” Indeed, American readers will find much that’s familiar in the account that follows, in which the author probes Britain’s imperial history to find its present-day influences—which are everywhere: in Britain’s monuments and museums, education system, multiculturalism, racism, even its trash TV. Drawing from sources as varied as Jan Morris, Edward Said, and Twitter, Sanghera moves elegantly through one legacy to the next, frequently opposing imperial apologists against detractors. Observing that much British conversation about empire has been binary—“a veritable industrial oven of hot potatoes”—he pleads for a nuanced view of Britain’s “difficult history.” Acknowledging that his “quintessentially British” education “encouraged me to view my Indian heritage through patronizing Western eyes,” he nevertheless loves the nation, even though immigrants are "endlessly instructed to integrate.” It is, as he points out passionately, his home. The author frequently strings lists of names or facts into single, long sentences, accreting evidence for his argument that, say, Britain has been multicultural for centuries in a way that is hard to deny—and when he uses the same rhetorical device in his unexpectedly optimistic conclusion, it’s equally effective. Readers whose familiarity with British history and culture is not acute may find themselves reaching for external context at times, but Sanghera’s exploration of the topic is consistently lively and just as often laugh-out-loud funny as it is deeply painful. Marlon James provides the foreword.
The sun may have set on the British Empire, but this piercing examination of its legacies is thoroughly timely.Pub Date: Feb. 28, 2023
ISBN: 9780593316672
Page Count: 384
Publisher: Pantheon
Review Posted Online: Nov. 7, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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