Sanghera's precise, hilarious rendition of voices and cultural details is the signal pleasure of a novel rich in humor,...

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MARRIAGE MATERIAL

From the U.K., a funny, smart, and richly layered debut novel about an immigrant family.

Arjan Banga, the only child of a Punjabi couple who run a benighted convenience store in a crummy town in the West Midlands, thinks he's escaped his past. He works as a graphic designer in London. He's engaged to a white woman named Freya. He's practically post-racial. But when his father's sudden death from what is supposedly a heart attack calls him back to Wolverhampton to help his mother, he's instantly sucked back into the world he left behind. He spends "fifteen hours a day being patronised ('You. Speak. EXCELLENT. English'); having [his] name mutilated ('Ar-jan, is it? Mind if I call you Andy?'); dealing with people paying for Mars bars with £20 notes,...dishing out copies of Asian Babes to shameless septuagenarians,...being called a 'smelly Paki' by people reeking of booze and wee; and dealing with seemingly endless chit-chat." His only friend in town is a guy he grew up with, Ranjit Dhanda, whose own family's neighboring establishment has become a successful superstore while Ranjit himself has morphed into a ridiculous wannabe gangsta, "rebranding himself as 'Jay' " and speaking in a faux Jamaican dialect. Interwoven with the story of Arjan's miserable experience in Wolverhampton is the history of his parents' generation, which decades earlier had similar struggles with assimilation and racism, with familial duty and the siren call of freedom. Outlaw marriage is at the center of both stories, as is the political history of Wolverhampton, which is the author's real-life hometown and also the focus of his previous book, a memoir (The Boy with the Topknot, 2009).

Sanghera's precise, hilarious rendition of voices and cultural details is the signal pleasure of a novel rich in humor, history, and heart.

Pub Date: Feb. 2, 2016

ISBN: 978-1-60945-307-7

Page Count: 336

Publisher: Europa Editions

Review Posted Online: Oct. 15, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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