While it’s not as creative as the works of Hervé Tullet, his fans may enjoy this different kind of interactive book.
Finnish graphic designer Kontinen brings her internationally popular world of digital animals to the U.S.
The Mokomaki are small birds with large black eyes that live in the forest of Mokomaka. These birds also like to travel, and as readers turn the introductory page, a giraffe parent implores the Mokomaki to help find its baby. With the clue “He’s the tiniest of all,” readers join the Mokomaki in sorting through three different baby giraffes to determine the correct one. In each double-page spread, another animal parent with an oversized head and equally big, expressive eyes asks for help in finding its lost baby. The task becomes increasingly challenging as the number of baby animals grows and the clues become more difficult. For instance, a monkey parent asks the Mokomaki to find its twins: “They’ve tied their tails in knots!” With 24 monkeys looping tails, joining hands, and pulling on tails, it’s a challenge even for adults to find a pair with knotted tails. Comments throughout by the little birds keep the book lively. Adult readers may find the static, geometrically composed animals uninspiring, but youngsters used to digital games and videos will have no qualms as they practice their visual literacy skills, sorting, counting, naming colors, and looking for clues.
While it’s not as creative as the works of Hervé Tullet, his fans may enjoy this different kind of interactive book. (Picture book. 2-6)Pub Date: Nov. 7, 2017
ISBN: 978-1-57687-805-7
Page Count: 24
Publisher: POW!
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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