Unfortunately, the longest piece here—the novella-length "What Kind of Day Did You Have?"—is the least...
Family fiction and the fiction-of-ideas: these are the two competing concerns in Bellow's recent work—with the combination at its most problematic in his last novel, The Dean's December.
Here, however, in five shorter works from the past decade, those seemingly contradictory roles—the darkly comic memoirist, the thorny essayist—are on more rewarding display, occasionally even blending in a richly charming way. One story, "A Silver Dish," already much-anthologized and much-acclaimed, is the memoirist/family side of Bellow, virtually undiluted: a 60-year-old South Chicago businessman reacts exuberantly to the death of his old father—in a memory-montage that showcases Bellow's boisterous, visceral, ironic warmth. ("How, against a contemporary background, do you mourn an octogenarian father, nearly blind, his heart enlarged, his lungs filling with fluid, who creeps, stumbles, gives off the odors, the moldiness or gassiness, of old men. I mean !") But, in other pieces, chunks of zesty family/friend reminiscence and personal psychology are shaded with cultural musings or implications. The brief, fragmentary "Zetland: By a Character Witness" recalls the early life (1920s, 1930s) of a Chicago intellectual/bohemian, rebelling against his old-fashioned Jewish family; the subtext is a gently mordant view of all intellectual idealism. In "Cousins," the narrator is a law-expert/celebrity (creator of TV's Court of Law) who uses his influence to get a light sentence for his gangster-cousin Tanky; here, the inability to "extricate myself from the ties of Jewish cousinhood" leads to memories of other cousins (including one philosopher), to anthropological puzzles, to the conflict (within a family or within a single personality) between the "brainy" and the gutsy. And most effective of all in the weaving of earthy tale-spinning with meditation is the title story: narrator Harry, a 65-ish musicologist who's hiding out (from big legal troubles) in Vancouver, is writing an apology to the long-ago victim of one of his many cruel wisecracks; he recounts the Balzac-like money/family mistakes which got him into his present mess; and, without strain or contrivance, this confession/self-analysis winds through such oddly relevant matters as Allen Ginsberg, the breeding of pit bulldogs, music vs. materialism, and Jewish assimilationism.
Unfortunately, the longest piece here—the novella-length "What Kind of Day Did You Have?"—is the least successful: the affair between a youngish divorcee and a famous old art critic becomes an uneasy frame for wrestlings with Marxism, celebrity, and intellectual hucksterism. But much of this welcome gathering presents the restless Bellow voice in full cry—taut, colorful, Talmudic, and large-hearted.?Pub Date: May 30, 1984
ISBN: 0141180234
Page Count: -
Publisher: Harper & Row
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: April 15, 1984
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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