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WHERE MEMORY LEADS

MY LIFE

Though dry in tone, the book is haunting in scope and depth.

A foremost Holocaust scholar carefully reflects on his harsh early years and lifelong academic mission in Jerusalem, Tel Aviv, Geneva, and Los Angeles.

Writing this second memoir (When Memory Comes, 1977) in his early 80s, Friedländer (Emeritus, History/UCLA; Franz Kafka: Poet of Shame and Guilt, 2013, etc.) is acutely aware of a deteriorating memory and the need for emotional elucidation. He uses his early trauma of losing his parents during a roundup of Jews in southern France in 1942 as the point of departure for exploring the upheaval that characterized much of his adult life. Hidden in a Catholic seminary, the author was essentially orphaned when his parents were arrested at the Swiss border and sent to Auschwitz. Schooled in France as a fervent Catholic, Friedländer eventually ran away to join the Irgun youth movement in the new state of Israel in 1948—he admits his “core identity” is being a nonreligious Jew “yet indelibly marked by the Shoah. Ultimately, I am nothing else.” From there, he began a peripatetic existence pursuing political science in Paris and becoming World Jewish Congress President Nachum Goldman’s political secretary and later Shimon Peres’ assistant, spending most of his time in Jerusalem. Ultimately, Friedländer would become both an apologist for Israeli policies and a critic of its racism toward the Palestinians. However, he embarked on graduate work in international studies in Geneva in 1961, pursuing his studies in his “monomaniacal way,” supporting a family yet suffering from debilitating anxiety that required intensive drugs as well as psychoanalysis. His initial book exposing the complicity between Pius XII and the Nazi regime led him to devote his subsequent work to European fascism, modern anti-Semitism, and the Holocaust. A “difficult stay in Berlin in the mid-eighties,” when he was confronted by a new wave of “apologetic” scholarship about Nazi Germany, reinforced his decision about his work.

Though dry in tone, the book is haunting in scope and depth.

Pub Date: Nov. 8, 2016

ISBN: 978-1-59051-809-0

Page Count: 304

Publisher: Other Press

Review Posted Online: July 18, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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