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MURDER ONCE REMOVED

A delightful debut spiced with a tempestuous romance and certain to appeal to fans of genealogical research and history.

A Texas genealogist’s search for the truth of an old murder precipitates a present-day killing.

Austin-based Lucy Lancaster is doing research for Texas legend Gus Halloran, who’s convinced that his great-great grandfather Seth was murdered despite the 1849 newspaper stories that say he was trampled by a horse. The sole witness was photographer Jeb Inscore, and Lucy hits the jackpot when she visits his great-granddaughter Betty-Anne Inscore-Cooper, whose boxes of daguerreotypes include one that depicts Seth lying dead in a bloodstained shirt. Inscore’s journals reveal that someone with the initials C.A. paid to have Seth murdered; the multiple hoof marks on his body were intended to hide a knife wound. The most likely candidates are Cantwell Ayers and Caleb Applewhite, whose descendant is running for the Senate against Halloran’s son. Soon after a tipsy Lucy tells reporters at a news conference how she found the evidence of the old murder, she’s visited by FBI Special Agent Ben Turner, who has a lot of annoying questions about her work for Halloran and her amateur investigation, as boxes of daguerreotypes have been stolen from Betty-Anne. Fortunately, Lucy’s turned over the other daguerreotypes and journals to her friend Winnie Dell, the curator for a history center at the University of Texas at Austin. Unfortunately, Winnie is murdered and the daguerreotype of Seth stolen. Lucy’s officemates, Serena and Josephine, are constantly trying to get their gal pal back in the dating game after a bad breakup. They consider Ben a good bet even though the pair constantly wrangle over Lucy’s sleuthing. In the end, Lucy’s hot-and-cold relationship with Ben helps to turn up more clues about the old murder that’s caused her friend’s death.

A delightful debut spiced with a tempestuous romance and certain to appeal to fans of genealogical research and history.

Pub Date: March 19, 2019

ISBN: 978-1-250-18903-5

Page Count: 336

Publisher: Minotaur

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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NEVER LOOK BACK

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...

A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).

Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.

Pub Date: July 2, 2019

ISBN: 978-0-06-284454-5

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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