by Scott Alexander Hess ‧ RELEASE DATE: July 13, 2021
A moving pair of historical tales, as philosophically astute as they are dramatically gripping.
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Two novellas poignantly examine characters who find comfort in their roots and find themselves drawn to the unknown.
Hess offers a pair of searching explorations of the push and pull of one’s origins. In The Root of Everything, set in the early 20th century, Richard leaves his native Germany over the objections of his father in order to follow his younger brother, Rolf, to the United States. They both find work at a lumberyard in Missouri, but when Rolf dies tragically on the job, Richard is devastated. Nevertheless, he starts his own business and a family, as well; his son, Cal, follows in his footsteps and runs a lumbering business and marries a woman named Josie. However, Cal is never quite happy with his life, and Josie is so miserable that she finally leaves him; their son, Stanford, who’s secretly gay, leaves for New York City to become a wealthy businessman; there, he has a relationship with a palm reader named Sam. In deeply affecting prose that’s characteristic of the entire book, Hess depicts Richard’s despair over his now scattered family: “Richard…covered his face, and with this sharp action, the dragon flies scattered as if this human grief had poisoned their air.” In the second novella, Lightning, Bud is born and raised in Fayetteville, Arkansas, but dreams of moving out west with his best friend, Jerky. After his father dies, a rich aunt offers him the opportunity to move to New York and ride horses, a passion of his, and it’s a possibility that is as tantalizing as it is frightening. Once again, the author’s writing is poetically subtle but impressively restrained; readers are drawn deep into these stories without any excessive hand-holding, free to draw their own conclusions. With impressive emotional power, both novellas show the paradoxical ways in which one’s family can feel like a prison from which to break free but also like a home in which one can find one’s true self.
A moving pair of historical tales, as philosophically astute as they are dramatically gripping.Pub Date: July 13, 2021
ISBN: 978-1-60-864158-1
Page Count: 204
Publisher: rEBEL SaTOri PrESS
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Jan. 20, 2026
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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