Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THOSE WE CARRY

An authentic story of love and war vividly detailed.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Saxberg’s historical novel explores love and redemption against the backdrop of the European Theater in WWII.

The leads are the Canadian Ardagh “Harp” Cadieu and the Dutch woman Jacoba “Koos” van den Berg. Ardagh is from Northern Ontario, on Lake Superior, and he has suffered two tragic events in his young life—events where people died—and he carries that burden. In fact, that’s the main reason he enlists in the Canadian army. He hopes to escape his little town and to somehow assuage his guilt and cleanse his soul. When we meet 15-year-old Koos, it’s early in the war. Her small Dutch town will soon be occupied by the Nazis, and she’s chafing under her parents’ protective concern for her. When the Germans come, she joins the resistance in a dangerous balancing act, even leading on a young Nazi lieutenant and falling half in love with him after having had a crush on a neighbor boy who joins the Dutch SS. Meanwhile, Ardagh is training—endlessly, it seems—in England. He does get smuggled aboard his brother Hank’s Lancaster bomber and gets a taste of war. Landing in Normandy in ’44, he and his company fight their way across northern Europe and eventually liberate the small town where Koos lives. And, of course, these two young people, so often disappointed and frustrated, fall deeply in love. Will they find happiness? Will Koos become a war bride, starting a new life with her husband in Canada? And will Ardagh finally exorcise his guilt and gain the confidence he desperately needs?

This is a historical novel but not quite like the usual ones where fictional characters live their lives in the shadow of real history—and the major figures of the times appear in cameo roles. In fact, there are no “major” figures here at all. Instead, Saxberg has based the story on the tales of WWII and the Lake Superior Regiment that he grew up hearing about, specifically through the stories of his three great uncles, Ardagh, Gerald, and Wilf. So, thanks to a complete annotated list of characters at the back of the book, we learn that Harp, Hank, and Koos (and others), were, in fact, real people who figured in Saxberg family stories. Some characters were purely fictional, and others were inspired by real people or were even composites. And Saxberg confesses to also manipulating and rearranging the personal stories. It’s a look into how such a book is put together and a very clever mishmash; and incidentally, it’s a wonderful tribute to real enlistees: farmers, fishers, tradespeople, laborers, who signed up when needed, some of whom gave their lives. As one character says, “Every death was etched in the background of each success.” Saxberg’s theme is that we should carry with us the memories of our loved ones and that those memories somehow keep them alive. Not a novel idea, but one worth being reminded of from time to time. There are also helpful maps of battle sites.

An authentic story of love and war vividly detailed.

Pub Date: Sept. 6, 2024

ISBN: 9781068915406

Page Count: 324

Publisher: Reimagined Press

Review Posted Online: Aug. 15, 2024

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Close Quickview