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THE SILVER EYES

From the Five Nights at Freddy's series , Vol. 1

Will find a ready readership among fans.

Old friends find that nostalgia isn’t the only thing lurking in their childhood stomping ground.

Charlie and her friends gather in their small hometown of Hurricane to honor their deceased friend, Michael, in this graphic-novel adaption of the 2016 novel by the same name inspired by the video game franchise. Previously owned and operated by Charlie’s father, Freddy Fazbear’s Pizza has been subsumed by the construction of a mall. It was a primary source of entertainment for her and her friends—as well as the site of Michael’s mysterious disappearance. Yet when the friends break into the pizza parlor to reminisce and explore, they find that in addition to abandoned animatronic characters, arcade games, and rides, their childhood playground holds dark forces looking for prey—and disturbing memories from the past begin to intrude. The full-color art is simple, with ample white space, and the illustrations are effectively creepy, with variations in the layout of the panels. However, readers may have trouble tracking the large cast of characters and their relationships, especially with several flashbacks that reveal past traumas. The action-packed and occasionally gory plot will engage, but abrupt transitions and a too-quick resolution take readers out of the world of the story. All main characters are white, with the exception of one who is black.

Will find a ready readership among fans. (Graphic horror. 12-16)

Pub Date: Dec. 26, 2019

ISBN: 978-1-338-29848-2

Page Count: 192

Publisher: Scholastic

Review Posted Online: Sept. 9, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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BEOWULF

Pairing art from an earlier, self-published edition to a newly adapted text, Hinds retells the old tale as a series of dark, bloody, chaotic clashes. Here Grendel is a glaring, black monster with huge teeth, corded muscles and a tendency to smash or bite off adversaries’ heads; the dragon is all sinuous viciousness; and Beowulf, mighty of thew, towers over his fellow Geats. The narrative, boxed off from the illustrations rather than incorporated into them, runs to lines like, “Bid my brave warriors O Wiglaf, to build a lofty cairn for me upon the sea-cliffs . . . ” and tends to disappear when the fighting starts. Because the panels are jumbled together on the page, the action is sometimes hard to follow, but this makes a strongly atmospheric alternative to the semi-abstract Beowulf, the Legend, by Stephen L. Antczak and James C. Bassett, illus by Andy Lee (2006), or the more conventionally formatted version of Michael Morpurgo, with pictures by Michael Foreman (2006). (Graphic fiction. 12-15)

Pub Date: April 1, 2007

ISBN: 978-0-7636-3022-5

Page Count: 128

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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THE ORACLE CODE

A refreshingly disability-positive superhero origin story.

Nijkamp (contributor: His Hideous Heart, 2019, etc.) reimagines the backstory of Oracle, computer genius and ally to Batman.

When skilled hacker Barbara “Babs” Gordon and her best friend, Benjamin, attempt to intervene in a robbery, Babs is shot. Six weeks later, the newly paralyzed Babs reluctantly rolls into the Arkham Center for Independence, where teens with disabilities undergo physical and emotional rehabilitation. Despite her father’s well-meaning advice, Babs resents being there. Even the mysterious cries within the mansion’s walls can’t lift the teen’s despondence—until Jena, a burn survivor full of haunting tales, disappears. Aided by supportive patients Yeong and Issy, whom she gradually befriends, Babs must accept her new reality in order to find Jena and escape a sinister plot. The author sensitively portrays Babs’ frustration and trauma and realistically addresses her challenges, such as mastering wheelchair ramps and negotiating stairs. Babs’ increasing self-confidence is heartening, and the message that people with disabilities don’t need to be “fixed” in order to thrive is empowering (albeit slightly heavy-handed). Balancing bright and dark colors, Preitano’s (contributor: Puerto Rico Strong, 2018, etc.) illustrations vividly convey Babs’ anger and determination, and a jigsaw-puzzle motif reflects Babs’ quest to piece together her new identity as well as the institution’s secret. Most characters present white. Yeong, who walks with forearm crutches, is cued through her name as Korean; Issy, who uses a wheelchair, presents black.

A refreshingly disability-positive superhero origin story. (Graphic fantasy. 12-16)

Pub Date: March 10, 2020

ISBN: 978-1-4012-9066-5

Page Count: 208

Publisher: DC

Review Posted Online: Jan. 22, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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