Will find a ready readership among fans.

THE SILVER EYES

From the Five Nights at Freddy's series , Vol. 1

Old friends find that nostalgia isn’t the only thing lurking in their childhood stomping ground.

Charlie and her friends gather in their small hometown of Hurricane to honor their deceased friend, Michael, in this graphic-novel adaption of the 2016 novel by the same name inspired by the video game franchise. Previously owned and operated by Charlie’s father, Freddy Fazbear’s Pizza has been subsumed by the construction of a mall. It was a primary source of entertainment for her and her friends—as well as the site of Michael’s mysterious disappearance. Yet when the friends break into the pizza parlor to reminisce and explore, they find that in addition to abandoned animatronic characters, arcade games, and rides, their childhood playground holds dark forces looking for prey—and disturbing memories from the past begin to intrude. The full-color art is simple, with ample white space, and the illustrations are effectively creepy, with variations in the layout of the panels. However, readers may have trouble tracking the large cast of characters and their relationships, especially with several flashbacks that reveal past traumas. The action-packed and occasionally gory plot will engage, but abrupt transitions and a too-quick resolution take readers out of the world of the story. All main characters are white, with the exception of one who is black.

Will find a ready readership among fans. (Graphic horror. 12-16)

Pub Date: Dec. 26, 2019

ISBN: 978-1-338-29848-2

Page Count: 192

Publisher: Scholastic

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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BEOWULF

Pairing art from an earlier, self-published edition to a newly adapted text, Hinds retells the old tale as a series of dark, bloody, chaotic clashes. Here Grendel is a glaring, black monster with huge teeth, corded muscles and a tendency to smash or bite off adversaries’ heads; the dragon is all sinuous viciousness; and Beowulf, mighty of thew, towers over his fellow Geats. The narrative, boxed off from the illustrations rather than incorporated into them, runs to lines like, “Bid my brave warriors O Wiglaf, to build a lofty cairn for me upon the sea-cliffs . . . ” and tends to disappear when the fighting starts. Because the panels are jumbled together on the page, the action is sometimes hard to follow, but this makes a strongly atmospheric alternative to the semi-abstract Beowulf, the Legend, by Stephen L. Antczak and James C. Bassett, illus by Andy Lee (2006), or the more conventionally formatted version of Michael Morpurgo, with pictures by Michael Foreman (2006). (Graphic fiction. 12-15)

Pub Date: April 1, 2007

ISBN: 978-0-7636-3022-5

Page Count: 128

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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A charming adaptation.

ANNE OF GREEN GABLES

From the Manga Classics series

A miscommunication leaves Matthew and Marilla Cuthbert responsible for a plucky, effusive orphan girl instead of the boy they’d expected to help maintain their farm.

Retold in traditional manga format, with right-to-left panel orientation and detailed black-and-white linework, this adaptation is delightfully faithful to the source text. Larger panels establish the idyllic country landscape while subtle text boxes identify the setting—Prince Edward Island, Canada, in the 1870s. The book follows redheaded Anne Shirley from her arrival at Green Gables at 11 to her achievement of a college scholarship. In the intervening years, Anne finds stability, friendship, personal growth, and ambition in Avonlea and in the strict but well-intentioned Cuthbert siblings’ household. The familiar story is enhanced by the exciting new format and lush illustrations. A variety of panel layouts provides visual freshness, maintaining reader interest. Backmatter includes the floor plan of the Green Gables house, as well as interior and exterior views, and notes about research on the actual location. A description of the process of adapting the novel to this visual format indicates the care that was taken to highlight particular elements of the story as well as to remain faithful to the smallest details. Readers who find the original text challenging will welcome this as an aid to comprehension and Anne’s existing fans will savor a fresh perspective on their beloved story. All characters appear to be White.

A charming adaptation. (Graphic fiction. 12-14)

Pub Date: Sept. 1, 2020

ISBN: 978-1-947808-18-8

Page Count: 308

Publisher: Manga Classics

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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