by Scott Hazlewood ‧ RELEASE DATE: Sept. 28, 2009
A distended but often entertaining actioner.
A journalist battles a cabal that controls the global economy, much of the U.S. government and countless teams of special-ops honchos in this boisterous thriller.
Fetching Washington Post reporter Lynn Wilson receives two valuable gifts from her uncle, CIA legend Boots Brody. The first is solid training in weapons handling, spycraft, hot-wiring and other handy skills. The second, which Boots hands over just before he is murdered, is a voluminous file that draws murky connections between high-ranking U.S. senators, oil companies and decades’ worth of seemingly unrelated crimes and misadventures, including coups, assassinations, nuclear accidents and even Monicagate. Buzz-cut heavies in SUVs duly materialize and Lynn turns for help to superhacker Sam Wilkins and to her cute Post colleague Chris Urban, whom she trusts with her life—until she overhears him whispering cryptic messages about her into his cell phone. As Lynn, Sam and sundry connect the dots, they stumble upon a shadowy team of intelligence operatives, a network of all-seeing surveillance satellites and moles in the FBI, the Secret Service and the military; the gore quickly escalates, with heads and chests exploding, henchmen dying by the dozen and the whole executive branch edging toward interagency civil war. Hazlewood creates an ambitious, byzantine thriller, but it gets away from him. His conspiracy is so vast and many-tentacled that a huge cast of characters is required to staff and thwart it—so huge that the narrative has trouble individuating them and gets bogged down trying to find interesting things for everyone to do. The leads, especially the bland Lynn and the callow, all-bark archvillain, are a disappointment, while the best characters get killed off early or, like Lynn’s brilliantly ditzy Post assistants, relegated to marginal roles. Still, Hazlewood writes a punchy prose and manages to craft many nifty scenes of sly sleuthing and intricate, gripping combat procedural that will keep readers turning the pages.
A distended but often entertaining actioner.Pub Date: Sept. 28, 2009
ISBN: 978-1449029111
Page Count: 468
Publisher: AuthorHouse
Review Posted Online: Oct. 27, 2010
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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