An unsettling history of horrific events whose memory is still fresh.
Exposition of a tangled tragedy about which it took “years before anyone knew what really happened—and who was truly to blame.”
It all happened in 90 seconds: a 2003 conflagration in a Rhode Island nightclub that killed 100 people and badly injured many more and that stands today, James notes, as “the nation’s deadliest rock concert.” Name a cause, though, and you enter Rashomon territory, with many contributing factors, ranging from a local culture in which “it was a badge of honor to figure out how to manipulate the system to one’s advantage” to the installation of improper building materials and perhaps willful violations of building codes. Two brothers owned The Station nightclub but were preparing to sell it when the band Great White played there. When the band’s road manager set off a pyrotechnic display, a foam-clad wall caught fire, and within that short span of time, nearly everyone who had been inside had died or been severely injured. The author’s account is minutely detailed, its technical discussions punctuated by human-interest-story portraits of the victims; it is often repetitive, sometimes to emphasize a point, sometimes seemingly carelessly. What emerges from the story is a blend of cascading effects and unintended consequences: The flammable foam had been installed in an effort to deal with neighbors’ complaints about noise, for instance, and the nightclub had no sprinkler system—though sprinklers weren’t required by code and the “deadly danger was never noticed” during multiple fire inspections. Considering James’ exhaustive examination of the facts and the back-and-forth argumentation regarding fault, it is surprising that the legal consequences were not more severe—the fire inspector, for example, received a raise from the town and then retired early on disability—or more broadly distributed.
An unsettling history of horrific events whose memory is still fresh.Pub Date: Oct. 27, 2020
ISBN: 978-1-250-13126-3
Page Count: 384
Publisher: Dunne/St. Martin's
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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