Surviving the family whammy, Roy garners sympathy, yet he never quite comes into his own as a character.
The Mississippi author’s second (The Total View of Taftly, 2000) is a complicated, intense coming-of-ager centered on an infatuation seemingly passed from father to son, doing neither of them much good—especially father, who winds up mysteriously dead.
Roy is young when his drunken daddy, Sanders, drifts out of their house on the Florida Panhandle one night and winds up shot to death, but Dad’s patrician memory is kept alive by June, Roy’s mother. The fatal attraction for Sanders was June’s lithe and lovely younger sister April, also their next-door neighbor, for whom he’d carried a flame ever since he first blew into town in 1965, fresh from Vietnam. And after Sanders’s death, when June becomes preoccupied with the political fortunes of a local congressman, Roy goes increasingly to his aunt for company and comfort. From their trailer, April and her hard-drinking husband Leonard raise Roy in the country way his mother so despises: from April he learns to fish; from Leonard, a former star running back, he learns football. Under Leonard’s tutelage, Roy becomes an unstoppable force on the playing field, but as he grows up, his feelings for April become ever more frustrated. June and Leonard, sensing a replay of Sanders’s unhealthy fixation, work to warn Roy off, but not even being thrown through the window of the trailer by Leonard deters him. Finally, when Roy opts to play ball at nearby Florida State instead of a college worthy of Sanders, a vengeful June forces Leonard to check into a rehab program and April to go to a battered women’s home. Roy rescues his aunt and, in New Orleans, drunk and liberated, they resolve the tension between them. They return home, and Roy goes off to college; in time, he learns the full story of Sanders and what happened to him.
Surviving the family whammy, Roy garners sympathy, yet he never quite comes into his own as a character.Pub Date: March 28, 2003
ISBN: 1-56512-370-0
Page Count: 352
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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