SING DOWN THE MOON

If Bright Morning were to show her pleasure in the river's running, the new spring's signal to take the sheep up to the mesa, or if her people were to shed tears on The Long Walk into captivity, the gods would be displeased: with the same dignity and reserve, Mr. O'Dell makes of her story the Navaho epic of dispossession and endurance. She has a foretaste of captivity as a servant in a Spanish town, and in mute hostility resists her mistress' overtures. Escaping with two others, she is joined by Tall Boy, haughty as always, who is injured by a Spanish bullet and will no longer be able to pull a bowstring or throw a lance; will he no longer be acceptable as a husband? Then — developments coming like drops of water — the Long Knives, the American soldiers, tell them they must leave the canyon. They go into the high country to await the soldiers' departure but day after day sees the erosion of their hopes until, their hogans and cornfields destroyed, the very trees stripped of nourishing bark, they try to break away. Overtaken, they are driven eastward, soon to be joined by all the clans, the whole nation of the Navaho. Bosque Redondo is a gray flatlands already occupied by irascible Apaches; a baby entrusted to Bright Morning dies, and many. many others; the women are idle, the men listless. So is Tall Boy, now Bright Morning's husband (what is a dangling arm here?), but she spurs him to return to the canyon. . . which they reach at last, to find a few of her precious sheep remaining. A slender story, a novella really, but telling, though one's commitment is to the cause rather than to the people.

Pub Date: Oct. 19, 1970

ISBN: 0547406320

Page Count: -

Publisher: Houghton Mifflin

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes.

THE TOWER OF NERO

From the Trials of Apollo series , Vol. 5

In this tumultuous series closer, Apollo, transformed into a mortal teenager, takes on both a deified emperor in a luxurious Manhattan high-rise and an older adversary.

Lester/Apollo’s coast-to-coast quest reaches its climactic stage as, with help from both eager squads of fledgling demigods from Camp Half-Blood and reluctant allies from realms deep below New York, he invades the palatial lair of Emperor Nero—followed by a solo bout with another foe from a past struggle. Riordan lays on the transformation of the heedless, arrogant sun god to a repentant lover of his long-neglected semidivine offspring and of humanity in general, which has served as the series’ binding theme, thickly enough to have his humbled narrator even apologizing (twice!) to his underwear for having to change it periodically. Still, the author delivers a fast, action-driven plot with high stakes, lots of fighting, and occasional splashes of gore brightened by banter and silly bits, so readers aren’t likely to mind all the hand-wringing. He also leaves any real-life parallels to the slick, megalomaniacal, emotionally abusive Nero entirely up to readers to discern and dishes out just deserts all round, neatly tying up loose ends in a set of closing vignettes. The supporting cast is predominantly White, with passing mention of diverse representation.

A brisk, buffed-up finish threaded with inner and outer, not to mention sartorial, changes. (glossary) (Fantasy. 10-14)

Pub Date: Oct. 6, 2020

ISBN: 978-1-4847-4645-5

Page Count: 416

Publisher: Disney-Hyperion

Review Posted Online: Oct. 22, 2020

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Good fun with a monster of a cliffhanger.

THE LAST KIDS ON EARTH AND THE SKELETON ROAD

From the Last Kids on Earth series , Vol. 6

The monster-fighting gang from Wakefield departs on a post-apocalyptic road trip.

In this sixth installment of the heavily illustrated, Netflix-adapted series, quirky Jack Sullivan and his friends June, Quint, and Dirk finally leave their creature-ridden town in search of the ultimate baddie, Thrull, who previously deceived them. The quartet takes their tricked-out ride (an armored RV named Bad Mama) onto the open road (with Jack’s Zombie Squad in tow) to find the Outpost, where they believe a certain monster will be able to give them the location of the evil Tower where they believe Thrull now resides. Of course, the journey is littered with all kinds of nightmarish beasts and pitfalls (including an epic water park battle and slime-dripping baby monster), but the kids persist, armed with their endless gadgets and quick thinking. As the group races toward Thrull, the action culminates with an achingly tantalizing cliffhanger; expect audible groans and vociferous demands for the next installment. Fans of this series will revel in this fast-paced escapade with its recognizable black-and-white illustrations and trademark humor. Readers new to the series or those who are only familiar with the animated show may be a bit put off by this later volume that relies heavily on its own language of monsters and weapons. Jack, June, and Dirk are light-skinned; Quint is dark-skinned.

Good fun with a monster of a cliffhanger. (Graphic fiction. 8-13)

Pub Date: Sept. 15, 2020

ISBN: 978-1-984835-34-5

Page Count: 250

Publisher: Viking

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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