Next book

SAY EVERYTHING

HOW BLOGGING BEGAN, WHAT IT'S BECOMING, AND WHY IT MATTERS

Rosenberg suggests that blogging’s “outpouring of human expression” should “delight us.” This fair and fascinating account...

Salon co-founder Rosenberg (Dreaming in Code: Two Dozen Programmers, Three Years, 4,732 Bugs, and One Quest for Transcendent Software, 2007) offers an elegantly accessible history and defense of a now-ubiquitous Internet phenomenon—the blogosphere.

In 2003 there were 100,000 blogs worldwide; today there are approximately 184 million. Such phenomenal growth of blogging, which the author defines as “a hybrid of traditional publishing and casual electronic messaging,” was initially due to adventurous, and at times decidedly odd, men and women who both saw the potential in the totally free expression blogging allows and developed the software that made it simple and easy. Rosenberg energetically chronicles these ’90s pioneers, including Justin Hall, who obsessively posted a real-time archive of his life in the early ’90s; Evan Williams and Meg Hourihan, who developed a simple program—subsequently sold to Google—that made blogging accessible to anyone (Williams would later develop Twitter); Robert Scoble and others, who showed, for better or worse, that blogging could be profitable; and Josh Marshall, who made blogging a true journalistic endeavor. As more people have discovered the joys of blogging, what has been created, Rosenberg claims, is nothing less than “a new kind of public sphere, at once ephemeral and timeless, sharing the characteristics of conversation and deliberation.” Blogging allows for new possibilities in form and content and the blossoming of new talent; it’s also fun. Yet Rosenberg also acknowledges the critiques of such an unbridled flood of verbiage. With patient detail—and for the most part jargon-free language—he addresses the concern that the blogosphere is nothing more than a mindless morass of trivia—that it may be creating an “echo chamber effect” where we talk to only those who agree with us, and may lead to cultural disintegration as millions of monologues replace a common discourse. Though he never dismisses them out of hand, the author concludes that these complaints are mostly baseless or overwrought.

Rosenberg suggests that blogging’s “outpouring of human expression” should “delight us.” This fair and fascinating account should delight as well.

Pub Date: July 7, 2009

ISBN: 978-0-307-45136-1

Page Count: 384

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2009

Next book

A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 25


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Close Quickview