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THE CODGER AND THE SPARROW

A fun, if talky, tale of an endearing May-December friendship.

Awards & Accolades

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A widower and a teenager set off on an important road trip together in Semegran’s contemporary novel.

In Austin, Texas, 65-year-old Hank O’Sullivan spends a lot of time at his favorite local bar drinking away his loneliness after losing his wife and daughter in a car accident. In a parking lot scuffle outside a bar, Hank fights back in self-defense and earns himself a court-mandated sentence of 40 hours of community service. It’s there, while cleaning up trash on the side of the highway, he meets 16-year-old Luis Delgado, a Puerto Rican boy serving his own community service hours after being caught trespassing. Luis, a talented artist, lives with his father in the same neighborhood as Hank. After Luis and Hank form an unlikely friendship, Luis finds out Hank plans to visit Houston to reignite an old high school romance and asks if he can tag along to reconnect with his estranged mother, who also lives in Houston and who Luis hasn’t heard from since he was young. In a hot pink 1970 Plymouth Barracuda, the duo embarks on a road trip filled with drama, car troubles, a lesson in map reading, and lots of waffles. Semegran proficiently shifts between Hank’s and Luis’ points of view, which helps both characters feel fleshed out. An overuse of description can sometimes slow the pacing (“He set the bag on the carpet, then put his shoes on—the black wool sock on his right foot with a hole in it for his big toe to receive fresh air, the cotton sock on the left the shade of coffee with heavy cream”), but the unique relationship between the two unlikely, sympathetic pals keeps the story rolling.

A fun, if talky, tale of an endearing May-December friendship.

Pub Date: March 22, 2024

ISBN: 9780875658681

Page Count: 224

Publisher: TCU Press

Review Posted Online: May 31, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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