An amusing way to learn some collective nouns and enjoy the underdog’s triumph.
A pretentious professorial goose tries to school a younger goose on animal plurals.
English collective nouns for animal groups are notoriously irregular. When monocle-wearing, bow-tied Bruce pompously instructs, “Two goose is geese,” boisterous young Bill responds, “And two goose is geese!” (But as Bruce realizes, two moose are not meese.) Bill always looks elated, while Bruce appears harried. Seeing leaf-bearing ants in single file, Bill guesses logically they’re a herd—but no, they are a colony. As Bill sinks headfirst into a huge anthill, only the goose’s lower half showing, Bruce exclaims in exasperation, “I can’t take you seriously if you will not wear pants!” Sheep multiply over four pages, but one or many, they remain sheep. A group of bats is a cauldron; multiple giraffes are a tower. After readers learn about plural monkeys, fish, penguins, and pigs, teacher and pupil face a skulk of playful foxes and their stolen “socks-es.” Suddenly, one fox contemplates Bruce not as a source of knowledge but as dinner—but it’s Bill to the rescue! Stuart wrings humor from the absurdity of grammar rules and from the interactions between the two geese. The animals are depicted in cartoon style, with expressive eyes and jointless bodies, Bruce with a flat head and geometric neck. The pages have bright, flat-hued backgrounds, and the cavorting animals are given close to their natural coloration. (This book was reviewed digitally.)
An amusing way to learn some collective nouns and enjoy the underdog’s triumph. (Picture book. 3-6)Pub Date: July 18, 2023
ISBN: 9781338875829
Page Count: 40
Publisher: Scholastic
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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