The bad news is that the returning of Alejandro Stern, the canny defense attorney in Presumed Innocent, isn't nearly as devilishly twisty as he was in Turow's earlier megaseller. The good news is that Sandy Stem's own problems make for a compelling novel of a different sort. These problems surface when Sandy arrives home—preoccupied with his defense of his sister Silvia's husband (and Sandy's old school friend) Dixon Hartnack, whose coyly named commodities house, Maison Dixon, is under federal investigation for taking advantage of clients' futures orders to place illegal preemptive orders—to find that his wife Clara has killed herself. Why did his placid wife of 30 years commit suicide? What sort of prescription was filled for her only a short time before her death? And what could Clara's death have to do with the financial shenanigans of her Mephistophelean brother Dixon? Stumbling through grief and guilt, dredging up painful memories of his early meetings with Clara—he'd first been interested in her as a way to secure his position with her powerful father—and plunging into sexual escapades that eventually lead him to 40-ish federal attorney Sonia Klonsky, married, pregnant, and Dixon's principal nemesis, Sandy is stunned (and even farsighted readers will be too) to find how insidiously Dixon's troubles have twined themselves around Silvia and Sandy's children—Marta, Kate, and Peter. Although the whodunit question so prominent in Presumed Innocent is downplayed, Turow is a master at dramatizing legal complexities (Dixon deposits an incriminating safe with Sandy; Sandy warns him that he'll have to turn it over to the feds; Dixon steals it from the office; Sandy and a client break into Dixon's home to steal it back), and the last hundred pages of revelations about Sandy's decent, humane family are riveting. Despite a slow start and an overdose of middle-age angst, this complex, meditative novel is as richly entertaining as its predecessor. A surefire best-seller for summer—and on into the fall.
Pub Date: June 5, 1990
ISBN: 0446584177
Page Count: 656
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: May 15, 1990
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does...
Written under her real name and her pseudonym, two books in one from megaselling Roberts/Robb.
Book one: Laine Tavish, gorgeous redhead and owner of a small-town antique store, isn’t about to tell the cops that she knew the old man who was hit by a car right outside her shop. Just before he took his dying breath, she recognized Willy Young, partner in crime to Big Jack O’Hara, her father. Their biggest heist: millions of dollars in hot diamonds. Her father went to prison, but not Willy, whose last words were “left it for you.” What did he leave—and where? Enter Max Gannon, insurance investigator and all-around stud, with thick, wavy, run-your-fingers-through-it hair, tawny eyes that remind Laine of a tiger, and a delicious Georgia drawl. He beds Laine pronto, and they solve the case. But some of the diamonds are still missing. . . . Book two: it’s 50 years later, and New York traffic is slower than ever: just try getting a helicab on a rainy day. But Samantha Gannon, author of a bestseller called Hot Rocks based on her grandparents’ experiences in the long-ago case, eventually makes it home from the airport to find her house-sitter Andrea dead, throat cut. Another investigation begins, spearheaded by Eve Dallas, a tough-talking but very appealing New York cop married to Roarke, a rich, eccentric genius who just barely manages to stay on the right side of the law. Is the murderer after the rest of the diamonds? And is he or she related to the master thief who betrayed Samantha’s great-grandfather? There are more burning questions, and Eve wants answers—but, first, get Central on the telelink and program the Autochef for pastrami on rye.
A smoothly written contemporary caper paired with a murder mystery and a little meet-the-Jetsons futurism. No one does Suspense Lite better than Nora.Pub Date: Sept. 1, 2003
ISBN: 0-399-15106-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
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