by Scotti Cohn ; illustrated by Susan Detwiler ‧ RELEASE DATE: Feb. 10, 2013
An additional resource only.
Animal migrations offer an opportunity to see hundreds or thousands of the same species gathered in one place.
Spread by spread, in short paragraphs of straightforward exposition set on illustrations showing the animals in their habitats, Cohn describes when, where and why a sampling of North American mammals, reptiles, fish, birds, amphibians and even invertebrates come together and move. Some migrations are familiar—monarch butterflies and sandhill cranes—and others may be surprising in this context, like the nightly movement of bats from a cave or the gathering of snakes in their winter dens. Species linked on the food chain may be described together: the horseshoe crabs and red knots who feed on their eggs; salmon and bald eagles. The author makes an effort to enliven these descriptions with interesting verbs. Salamanders “squiggle across fields.” Chimney swifts “chitter and chatter.” But sometimes word choice trumps facts. Because horseshoe crabs aren’t really crabs, they don’t “scuttle out of the bay.” They crawl, very slowly. Combined with the extra facts in the backmatter curiously labeled as “For Creative Minds,” these informational bits may help young learners broaden their understanding of animal migration, but they won’t deepen it. For that, teachers will want to turn to titles about specific species or the Seymour Simon and Elsa Warnick series that includes They Swim the Seas (1998).
An additional resource only. (Nonfiction. 5-9)Pub Date: Feb. 10, 2013
ISBN: 978-1-60718-616-8
Page Count: 32
Publisher: Sylvan Dell
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Craig Smith ; illustrated by Katz Cowley ‧ RELEASE DATE: May 1, 2010
Hee haw.
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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