A champion virtual reality gamer gets tangled up in a real-life war between alien-powered magicians.
Isobel is the Queen of Sparkle Dungeon. The video game's best diva-caster—a player who uses her actual voice to sling spells—she wields the series' four most powerful artifacts. But when the Queen combines the artifacts' powers, she unwittingly rips a hole in the fabric of the game's spacetime. Still, nothing seems amiss when SparkleCo's ad agency reaches out to ask Isobel to test a new game. She is the Queen, after all, and no one can overtake her in the leaderboards. Working under the cover of a comprehensive nondisclosure agreement, Isobel learns that the ad agency is working on real-life magic: multilayered syllables that manipulate whomever hears them into feeling, thinking, or doing whatever the speaker wishes, thanks to the power of alien punctuation marks. Sparkle Dungeon's best diva-caster turns out to be a natural with these "power morphemes," but she begins to suspect that she isn't working for the good guys after meeting a few of the firm's other clients—including a Scientology-esque church and an "insidious" politician. Then there's her predecessor, Maddy, who left the ad agency after crafting her own set of morphemes and now wants to kidnap Isobel to work as part of her resistance movement. Maddy's explosive entrance cuts the novel's brake lines, pitching readers into a madcap adventure of magic and mayhem. Moore has produced a frenetic romp that makes up for its lack of depth with a whole lot of fun. Although Isobel never entirely comes together as a three-dimensional character, her funk-infused narration does a good job of fleshing out her supporting cast.
Glitter-bombed popcorn fiction at its finest.Pub Date: Jan. 11, 2022
ISBN: 978-1-250-76772-1
Page Count: 448
Publisher: Tordotcom
Review Posted Online: Nov. 13, 2021
Kirkus Reviews Issue: Dec. 1, 2021
Categories: SCIENCE FICTION | GENERAL SCIENCE FICTION & FANTASY | GENERAL FANTASY
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
77
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 10, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
A Yale sophomore fights for her life as she balances academics with supernatural extracurriculars in this smart fantasy thriller, the second in a series.
Galaxy “Alex” Stern is a member of Lethe House, the ninth of Yale’s secret societies. And not just any member—she’s Virgil, the officer who conducts the society's rituals. In the world of Bardugo’s Alex Stern series, Yale’s secret societies command not just powerful social networks, but actual magic; it’s Lethe’s job to keep that magic in control. Alex is new to the role. She had to take over in a hurry after the previous Virgil, Darlington, her mentor and love interest, disappeared in a cliffhanger at the end of the first book. He appears to be in hell, but is he stuck there for good? Alex and Pamela Dawes—Lethe’s Oculus, or archivist/administrator—have found a reference to a pathway called a Gauntlet that can open a portal to hell, but can they find the Gauntlet itself? And what about the four murderers the Gauntlet ritual requires? Meanwhile, Alex’s past as a small-time drug dealer is catching up with her, adding gritty street crime to the demonic white-collar evil the Yale crowd tends to prefer. The plot is relentless and clever, and the writing is vivid, intelligent, and funny at just the right moments, but best of all are the complex characters, such as the four murderers, each with a backstory that makes it possible for the reader to trust them to enter hell and have the strength to leave again. Like the first book, this one ends with a cliffhanger.
Well-drawn characters introduce the criminal underworld to the occult kind in a breathless and compelling plot.Pub Date: Jan. 10, 2023
ISBN: 978-1-250-31310-2
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Nov. 16, 2022
Kirkus Reviews Issue: Dec. 1, 2022
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