Blood and thunder along with scantily clad female victims, monsters of every stripe, and more blood.
Don’t have time to wade through all five volumes collecting the stories of pulpmeister Quinn (1889-1969) published in Weird Tales between 1925 and 1951? Editor George Vanderburgh has obligingly selected 20 standouts.
“Standout” doesn’t mean “best.” Self-described “physician and occultist” Dr. Jules de Grandin is roused from his rarely glimpsed domestic sphere in Harrisonville, New Jersey, by an unending parade of cases that end up involving ghouls, vampires, werewolves, mummies, familiars, reincarnated figures from past history, and the undead. So every one of these stories is very much like all the others. Even many of their titles—“The House of Horror,” “Restless Souls,” “Stealthy Death,” “The Mansion of Unholy Magic,” “Witch-House,” “Suicide Chapel”—are interchangeable. Yet they all stand out from the everyday world in the starkest terms possible. Grandin and his stodgier sidekick, Dr. Samuel Trowbridge, confront bridegrooms who drop dead at the altar, horribly vengeful surgeons, sinister kittens, fathers eager to sacrifice their children in the name of science, and plot twists that echo “The Murders in the Rue Morgue,” The Moonstone and “The Adventure of the Speckled Band” (and, to be fair, others that anticipate “The Most Dangerous Game” and Jamaica Inn). National and ethnic stereotypes take the place of characterization, and both the malefactors and their victims are largely indistinguishable from others in their class. Quinn’s zeal is reserved for pulpy plotting. He launches each tale with a juicy hook, breaks as many taboos (from dismemberment to incest) as possible, and keeps the pot boiling en route to the inevitably anticlimactic explanations, face-offs, and post-combat libations.Blood and thunder along with scantily clad female victims, monsters of every stripe, and more blood.
Pub Date: June 16, 2020
Page Count: 512
Publisher: Night Shade
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Pub Date: March 17, 2020
Page Count: 352
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Benjamin Stevenson ‧ RELEASE DATE: Jan. 17, 2023
This book and its author are cleverer than you and want you to know it.
In this mystery, the narrator constantly adds commentary on how the story is constructed.
In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.This book and its author are cleverer than you and want you to know it.
Pub Date: Jan. 17, 2023
Page Count: 384
Publisher: Mariner Books
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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