A fine, intriguing hybrid of satire and thriller.
Snowy, nearly uninhabitable living conditions drive a team of caretakers stationed in a deserted research facility to the brink of madness.
The Northern Institute rests in a remote expanse of snow that purportedly never melts and is hazardous to one’s health. When an unnamed incident causes the facility to lose its research funding and shut down, the sole remaining researcher—a shrewd, cold man named Gilroy—hires a crew of three to maintain the facility since he deems it “cheaper to hire a small team to look after things than to make the anticipated repairs were the building simply left vacant until research could resume.” With Hart, the team’s supervisor, as our narrator, we experience time passing in this strange, lonely facility, days filled with the completion of laughably mundane tasks: testing doors for noises or chairs for their stability. Tension rises between Hart and the other caretakers when the three spot an unidentifiable object out the window lying in the snow. Cline, a painter with an eye for light, and Gibbs, who is skilled in the powers of description, are beguiled by the object, growing more and more fixated on its nature, while Hart—who prides himself on his leadership ability and powers of efficiency—perceives the distraction as a threat to his faltering authority. Time, though, begins to distort for all three, days blurring together, day and night becoming indistinguishable. And after tireless observation, Cline and Hart agree with certainty that the object is changing color, that it is moving. Is the object responsible for the slipperiness of time and the sense that gravity itself has destabilized? The novel gains momentum and intrigue as new mysteries arise and discord between Hart and the others rises to a head. Dry and sometimes-unsettling workplace humor adds delight and levity to a novel whose themes explore the drudgery of the modern workplace and the depths to which the mind in isolation can tumble.
A fine, intriguing hybrid of satire and thriller.Pub Date: Jan. 3, 2023
ISBN: 978-0-06-325775-7
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.
More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.
In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.
Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.Pub Date: Aug. 12, 2025
ISBN: 9780063336773
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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