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BOB HONEY SINGS JIMMY CRACK CORN

Name: BOB HONEY SINGS JIMMY CRACK CORN
Author: Sean Penn
ISBN: 978-1-64428-058-4

by Sean Penn ‧ RELEASE DATE: Sept. 10, 2019

It’s clear that Penn is having good fun with this soufflé of a story. As for the reader, maybe not so much.

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Actor/director Penn continues his foray into fiction with this shaggy dog yarn of a secret agent–turned–freelance dispenser of justice.

Bob Honey is a man with a plan. When last we saw him, in Bob Honey Who Just Do Stuff (2018), the enigmatic killer was being hauled off to the pen; now, having “opted for fugitive flight,” he’s the subject of a manhunt. He goes blackface, a disguise that a grimace-inducing fellow agent in like garb sees right through, first muttering, “When a black man use soap, his skin dry ashen,” then dropping the patois to say, “You just look like a crazy white guy with tar all over his face.“ Honey tries again, this time going in drag on the Acela train to Washington and speaking in falsetto to a senator who once did right by the downtrodden but then became a supporter of the “flim-flamming finger fucker” who won the 2016 election, for which, Bob thinks, he deserves death by mallet, Bob’s favorite instrument. Penn risks crossing over the boundaries of political incorrectness at many points, from those incidents to the very title of the book (which comes from a song of slave resistance that celebrates “cranium cracked and plashed on a pulverizing plantation stone” ). He’ll likely be tarred as an incorrigible member of the Hollywood elite as his tale winds to its close with the explosive destruction of the White House in a scene that might have been an outtake from Fight Club, spectacular but strange, perfectly in keeping with the feel of the rest of the book. It’s all very much of a piece with its predecessor, complete with sometimes-unnecessary footnotes and bursts of alliterative language (“Trees that seem to masturbate an ejaculation of wounds wishing and longing for Lennon’s laments”) that seem to be there for their own sake rather than to move the story along.

It’s clear that Penn is having good fun with this soufflé of a story. As for the reader, maybe not so much.

Pub Date: Sept. 10, 2019

ISBN: 978-1-64428-058-4

Page Count: 168

Publisher: Rare Bird Books

Review Posted Online: Sept. 22, 2019

Kirkus Reviews Issue: Oct. 1, 2019

Categories:

GENERAL FICTION

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OWEN FOOTE, MONEY MAN

by Stephanie Greene & illustrated by Martha Weston ‧ RELEASE DATE: Sept. 18, 2000

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In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Categories:

GENERAL FICTION

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SWIMMING LESSONS

by Claire Fuller ‧ RELEASE DATE: Feb. 7, 2017

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.

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A forsaken family bound by grief still struggles to pick up the pieces 12 years after their mother’s death.

When famous author Gil Coleman sees “his dead wife standing on the pavement below” from a bookshop window in a small town on the southern coast of England, he follows her, but to no avail, and takes a near-fatal fall off a walkway on the beach. As soon as they hear word of his accident, Gil’s grown daughters, Nan and Flora, drop everything and return to their seaside family home in Spanish Green. Though her father’s health is dire, Flora, Gil’s youngest, can’t help but be consumed by the thought that her mother, Ingrid—who went missing and presumably drowned (though the body was never found) off the coast more than a decade ago—could be alive, wandering the streets of their town. British author Fuller’s second novel (Our Endless Numbered Days, 2015) is nimbly told from two alternating perspectives: Flora’s, as she re-evaluates the loose ends of her mother’s ambiguous disappearance; and Ingrid’s, through a series of candid letters she writes, but never delivers, to Gil in the month leading up to the day she vanishes. The most compelling parts of this novel unfold in Ingrid’s letters, in which she chronicles the dissolution of her 16-year marriage to Gil, beginning when they first meet in 1976: Gil is her alluring professor, they engage in a furtive love affair, and fall into a hasty union precipitated by an unexpected pregnancy; Gil gains literary fame, and Ingrid is left to tackle motherhood alone (including two miscarriages); and it all bitterly culminates in the discovery of an irrevocable betrayal. Unbeknownst to Gil and his daughters, these letters remain hidden, neglected, in troves of books throughout the house, and the truth lies seductively within reach. Fuller’s tale is eloquent, harrowing, and raw, but it’s often muddled by tired, cloying dialogue. And whereas Ingrid shines as a protagonist at large, the supporting characters are lacking in depth.

Simmering with tension, this tragic, albeit imperfect, mystery is sure to keep readers inching off their seats.