BOING!

Inspired perhaps by the superhuman leaps in martial arts or Spiderman movies, Taylor and Ingman follow a champion trampoliner dubbed the “Great Elastic Marvel” as he inadvertently catapults himself out of a high window, then narrowly escapes one deadly fall after another thanks to a pile of mattresses, an awning, and other conveniently placed springy surfaces. Ingram goes for a postmodern, Maira Kalman look, creating variously canted aerial scenes with swaths of violently contrasting color, compressed perspectives, and flat figures delineated by just a few strokes of pen or brush. His art offers some visual energy, but it never quite matches the stomach-dropping vertigo awaiting viewers of Mordicai Gerstein’s Man Who Walked Between the Towers (2003). Having soared all over town, Great Elastic Marvel flies back through his window, crash-lands, and is last seen bouncing merrily through a hospital ward, impeded not at all by a plaster fanny-cast. You just can’t keep a good trampolinist down—but that sense of wild motion isn’t quite there. Good premise, but perhaps more suited to film than paper. (Picture book. 6-8)

Pub Date: July 1, 2004

ISBN: 0-7636-2475-6

Page Count: 56

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2004

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Blandly laudatory.

I AM WALT DISNEY

From the Ordinary People Change the World series

The iconic animator introduces young readers to each “happy place” in his life.

The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.

Blandly laudatory. (bibliography) (Picture book/biography. 6-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7352-2875-7

Page Count: 40

Publisher: Dial

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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HOW I BECAME A PIRATE

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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