by Sean Taylor & illustrated by Peter H. Reynolds ‧ RELEASE DATE: April 1, 2011
Huck is a goat with an eclectic appetite. But most of the usual goat edibles just don’t tickle the taste buds. He finds that woolly gloves stick in his teeth, and “cardboard boxes taste like boring afternoons.” His all-time favorite tasty treats are flowers. It doesn’t matter whether they are on top of a mountain or in Mr. Watson’s bouquet or on Mrs. Spooner’s hat. Even flower patterns on clothing or table linens call to him. Huck tries, but each attempt to reach those elusive flowers leads to disaster, leaving him tumbling down a mountain, being chased by a big dog, colliding with a bicycle. But this intrepid (or, shall we say, maniacal) goat remains undaunted by fear, prior experience or reason. Taylor employs simple, conversational language in a fast-paced, almost breathless, easy-breezy cadence that draws readers right into Huck’s adventures. Double-page spreads of Reynolds’ detailed, cartoon-like, watercolor, ink and tea illustrations on a bright, white background surround the large-print text. Words and phrases like, “Uh-oh,” and “Oh No,” and the often-repeated “He can’t resist!” are boldly hand-lettered for emphasis. But Huck is the star here; his expressions are wildly enthusiastic, goofy and totally demented. Hilarious, laugh-out-loud fun. (Picture book. 3-8)
Pub Date: April 1, 2011
ISBN: 978-0-8037-3261-2
Page Count: 48
Publisher: Dial Books
Review Posted Online: March 2, 2011
Kirkus Reviews Issue: March 1, 2011
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by Elise Gravel ; illustrated by Elise Gravel ‧ RELEASE DATE: July 5, 2016
A light dose of natural history, with occasional “EWWW!” for flavor
Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.
The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”
A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)Pub Date: July 5, 2016
ISBN: 978-1-77049-667-5
Page Count: 32
Publisher: Tundra Books
Review Posted Online: April 12, 2016
Kirkus Reviews Issue: May 1, 2016
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by Sam McBratney ; illustrated by Anita Jeram ‧ RELEASE DATE: Sept. 13, 2011
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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