An impressive chronicle of human progress.
A broadcaster, historian, and lecturer at Cambridge, Falk reminds us that scholars no longer consider the centuries after the fall of Rome as the Dark Ages. Rather, “the medieval reality…is a Light Age of scientific interest and inquiry.” The author concentrates on Europe, where literacy was a church monopoly largely confined to monasteries. The greatest of these were wealthy institutions with branches, libraries, and schools whose scholars took part in an international community, which also included Muslims and Jews. Eschewing historical superstars—Roger Bacon makes a few appearances—Falk builds a story around John Westwyk, an obscure 14th-century monk who composed (or most likely copied) manuscripts on astronomical instruments, designed and built others, and traveled widely, making observations along the way. The author makes a convincing case that medieval times produced major advances in technology, mathematics, and education as well as some correct but many more fanciful explanations of natural phenomenon. Important inventions included spectacles, the compass, and Arabic numerals, but almost all of what passed for research confined itself to a single field: astronomy, which had always included astrology and would do so well into the Enlightenment. Fascinated by the heavens, medieval researchers produced precise descriptions of its movements and detected the minuscule variations in the earthly day and year. Much of this was in the service of astrology and the timing of holy days, but it had genuinely practical use in the creation of calendars. Although lacking telescopes, they designed exquisitely complex clocks and astronomical instruments—astrolabes, armillary spheres, equatoriums—that were both impressively accurate and works of art. Falk excels at bringing alive the personalities, theological doctrines, cosmology, and often cutthroat monastery politics of the era, but most readers will prefer to skim the lengthy descriptions of the construction and operation of medieval astronomical devices.
An impressive chronicle of human progress.Pub Date: Nov. 17, 2020
ISBN: 978-1-324-00293-2
Page Count: 320
Publisher: Norton
Review Posted Online: Aug. 26, 2020
Kirkus Reviews Issue: Sept. 15, 2020
A sharply different deconstruction of the prevailing orthodoxy, worthy of attention.
Leverett (International Affairs/Pennsylvania State Univ.; Inheriting Syria: Bashir's Trial by Fire, 2005) and his wife, Hillary, argue that, unless it changes, “the United States’ Iran policy is locked in a trajectory…that will ultimately lead to war.”
The authors take on what they identify as “a powerful mythology” that continues to influence U.S. policy toward the Islamic Republic—primarily, the proposition that because it is unpopular, the regime “is in imminent danger of being overthrown.” They offer an alternative to the prevailing view that Khomeini and his supporters hijacked the liberal revolution that began in 1978 and “betrayed the aspirations of those who actually carried out the campaign that deposed the shah.” The Leveretts take issue with American policymakers who propose that the U.S. should advocate the overthrow of the present regime in favor of liberal democracy. They believe in the possibility of negotiating with the present regime. The authors dispute the view that the mullahs have done nothing for the population and lack support, showing how literacy, health and medical care have been upgraded and the economy developed. They highlight present concerns about the Iranian nuclear program, which they claim are exaggerated. They identify the continuing influence of the neoconservatives, who brought about the second Iraq war, and “liberal internationalists,” who are ready to deploy military force in support of human rights. They believe that the time has come for an initiative like Nixon's visit to Beijing to begin a change in course.
A sharply different deconstruction of the prevailing orthodoxy, worthy of attention.Pub Date: Jan. 8, 2013
ISBN: 978-0-8050-9419-0
Page Count: 496
Publisher: Metropolitan/Henry Holt
Review Posted Online: Oct. 6, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
BOOK TO SCREEN
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