by Sebastian Meschenmoser ; illustrated by Sebastian Meschenmoser ‧ RELEASE DATE: Nov. 1, 2016
Wonderfully grouchy, with a touch of wickedness and a soupçon of warmth and color.
Introducing Pug Man, a wrinkled sack of grump…when things aren’t going his way.
Meschenmoser draws Pug Man as a thicket of spidery, gray lines. Readers meet him while he is still under the bedcovers, and he reeks of grump. Finally: there’s his face, which is a little squinty for a pug. It doesn’t matter. This dog has character. He has slept until noon. Grump. He does his business. (He looks like Whistler’s mother relieving herself.) Grump. There is no milk, cereal, nor coffee. Grump, grump, grump. The morning paper has been left out in the rain. “It was a bad day for Pug Man.” But wait. “Suddenly a fairy appeared.” A pink and gold fairy that looks as if she has been drawn by a kindergartner. She rains goodies down on Pug Man: raspberry drops, cake, the friendship of a kitten or a piglet. “Castle, car, swimming pool, / You’ve got three wishes—that’s the rule.” (The fairy speaks in couplets. Pug Man doesn’t speak. He projects.) Pug Man takes the offer. He wishes for breakfast. He wishes for a dry newspaper. He wishes the fairy would turn into a silent piglet. Yes, Pug Man is a bit rough on the fairy, but they are his wishes, wishes that erase the granite grimace from his face. He even grins.
Wonderfully grouchy, with a touch of wickedness and a soupçon of warmth and color. (Picture book. 4-10)Pub Date: Nov. 1, 2016
ISBN: 978-0-7358-4261-8
Page Count: 48
Publisher: NorthSouth
Review Posted Online: July 25, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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