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MY UNCLE IS COMING TOMORROW

A hard truth for hard times.

A bench and a closed door mark the milestones in an excited child’s life.

The child grows older as they faithfully await a beloved uncle who never shows. As the protagonist sits watching the door, they excitedly note the things they’ll tell their uncle about: their progress in school, an upcoming move, their new son. In scene after scene, time trundles on as the child evolves into a teen and then an adult and finally to nothing but a memory in the fruitless anticipation of a dream never realized. The uncle, it is later explained, has become one of the “disappeared.” Santana Camargo’s deceptively simple black line drawings against stark white paper allow for no meandering of attention. The protagonist’s—and readers’—focus is on the door that remains shut. Each unwaveringly hopeful line begins with “Great!” in anticipation of the visit (“Great! Then I can tell him about this girl that I like”)—and in contrast to the unseen bleak reality. The author’s unsentimental bilingual text, in English and Spanish, gives no hint as to the reason behind the protagonist’s continued pining—until the afterword, which states that though people have disappeared throughout history, during the Cold War, many governments began using the practice as a “systematic instrument of terror.” Though, according to the backmatter, this story takes place in South America, Santana Camargo notes that people have been disappeared in other places, such as Indonesia. The protagonist has few facial figures and skin the color of the page. (This book was reviewed digitally.)

A hard truth for hard times. (Picture book. 9-11)

Pub Date: Aug. 30, 2022

ISBN: 978-1-77840-006-3

Page Count: 40

Publisher: Aldana Libros/Greystone Kids

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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DIARY OF A WIMPY KID

A NOVEL IN CARTOONS

From the Diary of a Wimpy Kid series , Vol. 1

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers.

First volume of a planned three, this edited version of an ongoing online serial records a middle-school everykid’s triumphs and (more often) tribulations through the course of a school year.

Largely through his own fault, mishaps seem to plague Greg at every turn, from the minor freak-outs of finding himself permanently seated in class between two pierced stoners and then being saddled with his mom for a substitute teacher, to being forced to wrestle in gym with a weird classmate who has invited him to view his “secret freckle.” Presented in a mix of legible “hand-lettered” text and lots of simple cartoon illustrations with the punch lines often in dialogue balloons, Greg’s escapades, unwavering self-interest and sardonic commentary are a hoot and a half. 

Certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers. (Fiction. 9-11)

Pub Date: April 1, 2007

ISBN: 0-8109-9313-9

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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